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Can’t Judge a Book by the Cover

If you are looking for a discussion about early rock and roll, I’m afraid you may be disappointed.

Bo Diddley seated, singing and playing guitar.
You can’t judge an apple by looking at a tree
You can’t judge honey by looking at the bee
You can’t judge a daughter by looking at the mother
YOU CAN’T JUDGE A BOOK
 BY LOOKING AT THE COVER
written by Willie Dixon
recorded by Bo Diddley, 1962

On the other hand, you may find this of interest if you own any books. Or if you’ve ever just wanted to know how books are made. Or maybe if you work in a library.

What we are talking about here are things that affect a book’s chances of long-term survival, specifically in library collections.

Illustrated text page from Chaucer's Canterbury Tales
For out of old fields, as men say,
Comes all this new corn from year to year;
And out of old books, in good faith,
Comes all this new science that men hear.
Geoffrey Chaucer, Parlament of Foules

Book conservators know how books are made — and importantly — why and how they fall apart. So I’m going to share some secrets about how you can distinguish between a book that is likely to last and one that may not.

Hint: One with a worn cover could very well be a better choice than one that looks good from the outside.

In truth, the choice is not always clear-cut. But still, better choices can be made — and made more easily — when armed with information about the physical aspects of books and how they are put together.

A book on a conservator's bench, in the process of being repaired.

Book conservators work hard to keep books in good condition so that they will be there when patrons need them.

But do you know what has helped the survival of our collective intellectual record much more than all the efforts of book conservators?

Lots. Of. Copies.

A library book truck filled with duplicate books
Multiple copies of the same books

Any book or journal is likely to be found on the shelves of many libraries. Everybody knows that, and that is a good thing. And an individual library very likely has duplicates within its own collection, as you see pictured here.

Redundancy is good in the world of information preservation, whether it is physical books or backups of your computer files. When bad things happen to good books — as they do — there will still be other copies.

So why worry about better or worse copies when we have lots of them?

Well, in recent decades the cost of maintaining vast print collections has become a pressing problem for research libraries. The space devoted to books diminishes a library’s capacity for other things, such as study space and meeting rooms for patrons. When libraries run out of space, difficult choices often have to be made.

Overcrowded book shelves with books piled on top of others.
Severely overcrowded library shelves

Since the 1950s, when post-war prosperity led to increasing rates of collection growth, libraries have been very resourceful about finding ways to cope.

Microforms reduced the footprint of voluminous materials such as newspapers.

Two people using microfilm readers
Two people using microfilm readers.

Compact shelving was added.

Compact shelving
Compact shelving

Interlibrary lending meant a library no longer had to acquire every book for its users to have access to them.

Woman reading a book as big as she is, with overlaid text, "Interlibrary loan was file sharing before it was cool."

When those measures were no longer enough, high-density storage facilities were built to house books efficiently by size on 30-foot-high shelves.

People on a lift vehicle used to retrieve and shelve materials in the Ruth Lilly Auxiliary Library Facility at IU. One person is waving.
People on a lift vehicle used to retrieve and shelve materials in the Ruth Lilly Auxiliary Library Facility at IU.

But today many libraries have filled up these facilities too, and financial support for yet more space has been hard to come by.

So what now?

You see where I’m going here.

Shedding some of the copies would seem like a reasonable next step, especially widely held older materials, which are no longer used as much as they once were.

So this is indeed what many libraries are up to these days — withdrawing some copies, either within their own collections or in collaboration with other libraries. Being more selective about gifts. Making commitments to retain their copy of a book in a shared print repository so that others can withdraw theirs. Some of these efforts are large in scale, and sometimes rely only on catalog records without any physical verification.

But there are other library workflows in which it is feasible to compare copies, and in those cases the following information will make that work a lot easier.

I’ve suggested that looks can be deceiving to the untrained eye when it comes to judging which copy of a book has better odds of long-term survival. And I promised to share what book conservators know about how books are made, and how and why they fall apart.

So now let’s look under the hood (the covers, that is).

1970s Plymoth Valiant with the hood up

First, though, we have to talk about paper.

Way back when, before the Industrial Revolution, paper didn’t grow on trees.

Engraving of a hand-papermaking shop.
Pre-industrial revolution paper-making by hand

It was made out of fibers reclaimed from cotton and linen clothing and other rags.

Photograph of a 19th century rag collector pulling his cart of bundled rags through the streets of Paris.
Lumpensammler (rag collector), Paris, photograph by Eugene Atget

But when the increased demand for paper in the early nineteenth century led to rag shortages, papermakers began switching to wood pulp.

Unfortunately, wood-pulp paper becomes acidic, weak, and brittle over time, unlike older paper made from cotton or linen fibers, which remains strong and flexible for centuries.

A book with brittle paper, with the pages broken into small bits
Brittle paper

By the 1980s, with the problem quite evident in library stacks, preservation folks launched a big campaign to get papermakers to convert their mills to making acid-free paper. Today most new books collected by libraries are printed on alkaline, or so-called permanent, paper.

But between the 1840s and the 1980s millions of books were produced on paper destined to weaken and become brittle. And libraries have lots and lots and lots of them.

So the condition of the paper is a big factor for long-term survival.

But now you are thinking that copies of books published at the same time are likely to have the same kind of paper, right?

Cartoon of a woman with a perplexed look and red question marks around her.

And you would be correct.

So this doesn’t help a lot by itself when comparing copies. But it is usually a combination of factors that leads to a book’s demise. One is the paper strength, or lack thereof.

So what is the other factor?

The essential thing that makes a book a book is that the pages are joined, or bound, together along one edge. There are numerous ways this can be done, and in library collections the binding method often does vary from one copy to the next.

Why?

  • Older books in libraries are likely to have been rebound at some point
  • Wear and tear often varies from one copy to the next
  • Publishers sometimes issue the same content in different formats – deluxe editions, paperback vs. hardcover

To wit, these five copies of the History of Utah. Each one was bound differently when issued, or rebound by the library over time.

Five copies of the history of Utah, each with different covers, binding methods, and damage.
Five copies of the History of Utah from the IU libraries collection

Below are two copies of the same book. The book on top is in its original binding and the one below was commercially rebound.

Two copies of the same book stacked and lying flat on a table.
Two copies of the same book

Here they are opened – the original binding is on the left and the rebound one is on the right. Notice anything different?

Two copies of the same book, opened on a table. The one on the left lies flat; the other does not.
The two copies pictured above, shown open

Openability

If you remember only one thing from this blog, remember this concept!

This is a simple but important thing to look for: Whether a book lies open on the table by itself, or if you have to hold it open to read it, or mash it down on the copier or scanner.

The binding method – the way the pages are joined together — largely dictates openability.

Openability is important, not just because books that don’t open well are inconvenient to use — although they are — but because a restricted opening is a telltale sign of a binding method that makes future repairs difficult or impossible. This is a critical thing in a library whose mission is to serve today’s researchers as well as those far into the future.

Illustration showing the relative openability of different binding methods
The openability of the most common binding, or “leaf attachment,” methods found in library collections

The two at the top do not open easily. That puts a lot of stress on the pages.

The two at the bottom open easily and allow the pages to move freely without stress.

SO.

A book that has both brittle paper and poor openability is likely to end up broken and sad. And difficult to save. But when a book is bound in a flexible manner, there’s hope, and the chances are better that it can be repaired and lead a long life.

So let’s examine the most common ways that books are bound and talk about ways to identify each one.

First let’s look at one that has good openability and works well.

Sewing Through the Fold

Sewing Through the Fold is a traditional method of joining the pages of a book together to form a text block. This method has been in use since as early as the 2nd century AD. So it’s kind of time tested.

Sheets of paper (folios) are folded together in groups, and then the groups are sewn one to the next with needle and thread.

Folded sheets of paper nested together to form a book signature.

The needle and thread goes only through the very center of the folds.

Illustration of a book being sewn through the folds
Signatures are sewn through the folds and linked one to the next with the sewing thread

Attaching the pages together through the folds makes a book that opens well, is flexible, and allows for future repairs. There is not a lot of stress on the pages, and that is very helpful if and when the paper becomes brittle and weak.

This is still the way that lots of books are made. Sewing through the folds can be found in hardcover and paperback books.

Identifying Books Sewn Through the Fold

You can usually see a scalloped edge at the head and tail of the text block

View of a book looking down at the top edge, showing the scalloped edge indicating the book is in signature form.
The scalloped pattern at the top of the book is an indication that the book is in signature form, rather than single sheets of paper

Most of the time, you won’t be able to see the spine of the book where the sewing is obvious. But you can look for this scallop pattern at the top or bottom edge of the book. You can see that it is folded groups of pages.

As you page through a book you’ll come to the center of a signature and you may see the stitches – they are long and regular. But sometimes it can be difficult to find a center fold and see the stitches.

Close-up of the center fold of a book sewn through the fold showing the long, even stitches.
Characteristic long even stitches of a book sewn through the fold

And of course, books sewn through the fold open well and do not need to be held open.

So you have these three clues for books sewn through the fold – the openability, the scalloped edge at the head and tail of the book, and the stitches in the center folds.

Oversewing

The oversewing machine was used extensively by commercial library binders to bind library journals, rebind damaged books, and bind paperbacks in hardcovers from its invention in 1920 until the mid-1980s.

A book being sewn on an oversewing machine
An oversewing machine

A few pages are put into an industrial machine that has a row of threaded needles. The needles and threads pierce through the page edges many, many times. Then another clump of pages is added, and the machine sews through them and interlocks the stitching with the one before.

Books and journals are prepared for oversewing by chopping or milling off the inner spine edge so that pages become single sheets of paper.

The dashed lines in the illustration below show where the folds are chopped or ground off.

Illustration of preparing signatures for oversewing by chopping off the folds.
Preparing signatures for oversewing – a lot of the inner margin is lost

Below you see how the needles and threads pierce through what remains of the margins.

Illustration of the path of the needles and threads in oversewing.
Path of the needles and threads in machine oversewing, which encroaches well into the inner margin

There is a loss of inner margin — first from the trimming and then from the sewing.

This is what oversewing looks like on the spine – a thick mass of threads.

Ovrsewing stitches on the spine of a book.
Oversewing stitches on the spine of a book

Oversewing is very, very strong — an oversewn book with flexible paper and adequate margins is probably going to last a long time.

But if the paper is brittle, there will be a lot of page breakage, and you may not be able to put Humpty Dumpty together again. One page cracks, creating a knife edge that causes each subsequent page to break.

Page breakage that occurs when books with brittle paper have been oversewn.
This is what happens to an oversewn book with brittle paper

You’ve seen that oversewing reduces the width of the inner margins, which is part of the reason they are difficult or impossible to repair or rebind again. But if the margins are already narrow, the paper is brittle, and the book is oversewn, the breakage can also result in text loss.

The thin book pictured below took about two hours to take apart, snip by snip. And what you end up with looks like it was torn from a spiral-bound notebook. These pages were not terribly brittle, and the margins were decent, so the result was not that bad.

The damaged pages edges of a oversewn book that has been taken apart.
Damage to the page edges caused by oversewing

Practically speaking, though, oversewing is an irreversible binding method.

Identifying Oversewn Books

Besides the restricted opening and the typical buckram cover of a commercial library binding, another way to tell that a book is oversewn is to look for the close, irregular stitches in the inner margin. This is often visible in older books as they start to weaken.

Closeup of the inner margin of a book that was oversewn showing the clumpy irregular stitches.
Oversewing stitches are irregular and clumpy looking
A commercially bound book with a plain buckram cover and stamping on the spine.
Books and journals bound by commercial library binderies all look similar — the sturdy buckram cloth cover and stamping on the spine
Illustration of the restricted opening of oversewn books.
Oversewing produces a book with poor openability
Illustration of text obscured in the margins of an oversewn book.
Text obscured at the inner margin in an oversewn book

So, the identifying features of oversewing are: poor openability, text may be obscured at the inner margin, plain buckram cover and stamping on spine, and irregular, clumpy stitches sometimes visible at the inner margin.

Commercial Library Binding

Now let’s talk about one more binding method, which is done by commercial library binders (and can also be done by in-house book repair operations).

A commercial library binding is recognizable by the plain, sturdy buckram cloth cover material and uniform stamping on the spine. And we’ve discussed that oversewing was done by commercial library binders. But are all books bound by the commercial library bindery the same inside?

Two 1980s era commercially bound volumes, closed.
Two 1980s era volumes of a journal, closed
Two 1980s era volumes of a journal, opened.
Two 1980s era volumes of a journal, opened.

The one on the left, v.61, is oversewn. I couldn’t even get this one to stay open for the photo – I had to use a weight.

The one on the right, v. 62? No, it’s not sewn through the fold. It is another binding method that has good openability like books sewn through the fold. Its the method that replaced oversewing in the 1980s. At Indiana University, oversewing stopped after v. 61, 1983-84 and before v. 62, 1984-85.

What happened in the 1970s and 1980s?

Well, a lot of things …

Three people in office attire standing around a large photocopier.

Photocopiers

The problem with oversewing and other restrictive binding methods became quite obvious with the advent of photocopiers available for use by library patrons.

A few other things happened in libraries in the 70s and 80s–

  • Growing awareness of the brittle paper problem
  • The formation of preservation departments in research libraries

AND

Double-Fan Adhesive Binding

Preservation librarians and commercial library binders worked together to come up with a new binding method that could be used for books and journals that otherwise would have to be bound by oversewing or other machine “side sewing” methods.

The adhesive application process for double-fan adhesive binding.
How the adhesive is applied in a double-fan adhesive binding

These photos show how the adhesive is applied. The pages are fanned one way, glue is applied with a brush or roller, then fanned the other way and more glue is applied. Doing this gets the adhesive a tiny, tiny bit in between the pages — about 1/32 of an inch.

Illustration of how the adhesive is applied with a roller while the pages are fanned.
This shows how adhesive is applied by the commercial library binder
Illustration of how adhesive is applied for mass-market paperback books without fanning the pages.
This shows how adhesive is applied for mass-market paperbacks, which tend to fall apart quickly.

Double-fan adhesive binding also uses a high-quality adhesive that remains flexible over time vs. a cheap one that dries up.

Identifying Double-Fan Adhesive Binding

A double-fan adhesive binding opens well and stays open easily.

A book opened flat on a table showing that double-fan adhesive-bound books open well.
A double-fan adhesive binding opens well and stays open easily

When you view the top or bottom of the text block, there is no scalloped edge, just a thin layer of lining cloth.

Spine of a double-fan adhesive binding viewed from the top
Spine of a double-fan adhesive binding viewed from the top

So, let’s review —

Illustration comparing the openability of the 4 main commercial binding methods - side sewn, oversewn, sewn through the fold, and double-fan adhesive binding.

Binding methods with good openability, which are flexible and repairable — 

  • Sewn through the fold (5c)
  • Double-fan adhesive binding (5d)

Binding methods with restricted openability, which puts stress on pages, and are difficult or impossible to repair

  • Oversewn (5b)
  • Side sewn (5a)

Putting all our eggs in one basket

If we are going to put all our eggs in one basket, so to speak, by reducing the number of copies of books held in libraries, let us try to choose books that have the best chances of long-term survival when we can.

Photograph of Mark Twait sitting on a leather-covered chair, out of doors.
“Behold, the fool saith,‘Put not all thine eggs in the one basket’ – which is but a manner of saying, ‘Scatter your money and your attention;’
But the wise man saith, ‘Put all your eggs in the one basket and – WATCH THAT BASKET.’
Pudd’nhead Wilson’s Calendar Samuel Clemens/Mark Twain

I hope I’ve given you some new information that you can use – especially if your work involves making decisions about retention in libraries.

For more information on book structures:

University of Illinois. Preservation Self-Assessment Program. Collection ID Guide. Book and Paper/Binding Types

And for more in-depth information, there’s the AIC Book and Paper Group Wiki.

And this paper is an excellent analysis of the many factors involved in withdrawing copies:

Considering Sameness of Monographic Holdings in Shared Print Retention Decisions.

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