Gerardo Gonzalez, the briefcase, and the University Archives

Earlier this summer whilst attending a “Lunch & Learn” hosted by the Office of the Bicentennial, I had the pleasure of meeting Gerardo Gonzalez, Dean Emeritus of the IU Bloomington School of Education (2000-2015). He mentioned that he had a memoir coming out later this year and he had some related family papers. They needed a permanent secure home – was the Archives interested?

Gerardo Gonzalez, 2014
Gerardo Gonzalez, 2014. IU Communications

If you are a regular reader of this blog, you already know that we collect quite broadly to document Indiana University and the people affiliated with the institution. But for those that may not or just for further information on our processes – indeed, the mission of the IU Libraries University Archives is to collect, preserve and make available university records of enduring value (as I tell classes, that is clearly something I have written down somewhere and have repeated several times, ha!). In pursuit of that mission, we focus on collecting records created and collected by IU Bloomington offices, departments, centers, institutes, as well as any campus offices with system-wide responsibilities. In addition, we seek out the records of student, faculty, and staff organizations. But we also extend our collecting priorities to the personal papers of IUB faculty, staff, and alumni. With these papers, we have areas of focus within each and they all tend to be on those materials that reflect their time at the university. But we also sometimes choose to go beyond that so that in the end, we have a collection that paints a fuller picture of the creator and his or her life.

So my answer to Dr. Gonzalez was an immediate affirmation. The papers he offered were very precious to him, as they were all related to his family’s emigration from Cuba to the United States shortly after Fidel Castro took power. Just a child at the time, Dr. Gonzalez only learned of the existence of the surviving telegrams, correspondence, plane tickets, etc. many years later when his father presented them in the briefcase in which they had been housed for safekeeping over the years.

This is the first telegram sent to Dr. Gonzalez’s parents. It threw them into a panic, as they had requested permission for their family of four to emigrate; this telegram instructed Gerardo’s younger sister – only 5 years old – to report to Havana for departure to the United States. Only Martiza. Nonetheless, his father began to explore possibilities so that at least Martiza could leave. Much to the family’s relief, later that same day they received a telegram that granted permission for their whole family to leave. In two days. IU Archives Collection C694

And now, we are responsible for their safekeeping, and they will allow us to tell a fuller, richer story of one of Indiana University’s most respected administrators and educators who began his life in the United States a shy, frightened refugee.

Gerardo Gonzalez, 1956. IU Archives P0082433

A finding aid for Dr. Gonzalez’s papers can be found on ArchivesOnlineIf you would like to view the collection, contact an archivist but note that we have fully digitized the small collection – click on the small cameras next to each item – as well as a few of the photographs! In addition to that, Dr. Gonzalez’s memoir, A Cuban Refugee’s Journey to the American Dream: The Power of Education, is now available through the IU Press! I just received my own copy, a gift from the author (thank you, Dr. Gonzalez!) yesterday, and I look forward to learning more about his journey.

Sincerely Yours: Ernie Pyle Day

Individual photo portrait of Ernie Pyle
Ernie Pyle’s 1923 yearbook photo

This Friday, August 3rd, Indiana University celebrates an adopted hometown hero on National Ernie Pyle Day! Did you know, however, that Pyle did not receive an IU degree until twelve years after he left Bloomington? The Vermillion County native began his studies here in 1919, but left a year before completing his degree in order to take a position with the La Porte Herald. Bittersweet personal circumstances also surrounded his IU departure: he had recently experienced a bad run-in with some Department of Journalism faculty, and a love interest gave him back his going-steady pin. Despite this, Pyle remained close with companions from IU his entire life. In 1941, at the height of his fame, he waxed longingly to his friend “Hermie” (yes, that one: Herman B Wells) about planning a chance to “escape” to Monroe and Brown Counties. So it was with anticipation, nostalgia, and some nerves that Ernie Pyle returned to IU in November 1944 to receive an honorary degree.

Two letters at the IU Archives show Pyle’s trademark wit and authenticity regarding his prodigal return. In a letter to his friend and IU Alumni Association secretary George “Dixie” Heighway the day after the honorary degree luncheon, Pyle wrote:

It was a wonderful day, Dixie. Instead of hating it, as I had anticipated, I’d almost like to do it again. You couldn’t have arranged it any better for my pleasure. I am deeply appreciative.

Dad and Aunt Mary will be talking about it for years. And so will I (I hope!).

In addition to his thanks, Pyle asks Heighway to send along some information, including the full name and address for University Comptroller Ward Biddle, the man who initially proposed Pyle’s honorary degree to President Wells. Most interesting though, is this request: “The name + street address of Harriett Davidson, Tri-Delt of ’24, now married to a Dr. Martin + living in Bedford, Ind.” This is the same Harriett Davidson who returned Pyle’s pin all those years ago! Perhaps Pyle was moved by the nostalgia of being in Bloomington, and wrote to Davidson to catch up with her after all those years.

Black and white photograph of Ernie Pyle and Patricia Krieghbaum in the IDS office, November 1944
Ernie Pyle visits the Indiana Daily Student office during his return to campus in November 1944.

As we read this letter today, it’s impossible not to feel a little sentimental. We know that Pyle was struck by sniper fire and died during the Battle of Okinawa in April 1945—just months after he wrote this letter. His humorous jab of hoping to talk about the honorary degree for years becomes a sad foreshadowing when we know this context. A follow-up letter Pyle wrote Heighway on November 28, 1944 includes another such line in the postscript: “I’ll be leaving here for good in about two weeks.” Pyle meant only that he would be off to cover World War II’s Pacific theater, but the permanence of the statement is eerie in hindsight.

These two letters, however, should be read for their joyful moments too.  In his November 28 letter, Pyle is especially touching:

After the luncheon that day, a red-headed gal from the Bloomington High School paper tagged me and wanted an interview. Our schedule was so tight and everybody was pulling at me so that I had to leave her standing there, and later had Jack Hastings go back and apologize and say it was impossible, since she seemed to want a lot of time.

I’ve felt badly about it, for I know how kids can be hurt by failing in an assignment like that. I’d like to send her an autographed book in recognition of a good try. Could you find out who she was?

The no-nonsense writing style and humanizing approach is all Pyle. The generosity to this student evinces his deep roots to Bloomington. Heighway or another colleague jotted down the student’s name and address: Gladys Lillian Morrison. Some genealogical research shows that as of 2016, Morrison was still living in Bloomington. She and her late husband both worked at IU. It seems that, like Pyle himself, many people keep these close ties Bloomington and the university.

To see these letters and other University Archives material related to Ernie Pyle, contact an archivist. The IU Libraries Lilly Library also holds a number of Pyle-related collections–contact our friends there for further information!

Scan of original letter from Ernie Pyle to George "Dixie" Heighway, November 28, 1944

Transcription of November 28, 1944 letter from Ernie Pyle to George “Dixie” Heighway:

                Nov. 28

Dear George—

Something else I wish you’d do for me.

After the luncheon that day, a red-headed gal from the Bloomington High School paper tagged me and wanted an interview. Our schedule was so tight and everybody was pulling at me so that I had to leave her standing there, and later had Jack Hastings go back and apologize and say it was impossible, since she seemed to want a lot of time.

I’ve felt badly about it, for I know how kids can be hurt by failing in an assignment like that. I’d  like to send her an autographed book in recognition of a good try. Could you find out who she was?

I’m still glowing over the grand day we had, and so are my folks.

As ever,

Ernie

P.S.—I’ll be leaving here for good in about two weeks

Joseph Hayes – Novelist, Playwright, Screenwriter

Joseph A. Hayes, c.a. 1987. IU Archives, C299, Box 31.

When discussing famous Indiana Authors, names such as James Whitcomb Riley, Booth Tarkington, Gene Stratton-Porter, and Kurt Vonnegut are the first to come up in conversation.  Yet, another Indiana Native who had a way with words is writer Joseph Hayes.  Born in Indianapolis, Indiana, on August 2, 1918, Joseph Arnold Hayes was the first individual to write a novel, play, and screenplay from the same parent story, The Desperate Hours.

Joseph Hayes attended St. Meinrad Seminary High School in Saint Meinrad, Indiana, and Arsenal Technical High School in Indianapolis, Indiana, before coming to Indiana University with his wife, Marrijane Johnston, in 1938.  While at Indiana University, Hayes was head of the Drama Loan Service, a former department at the university, and helped establish the Brown County Playhouse, where he wrote and directed plays.  In 1949, he had his debut on Broadway with his play “Leaf and Bough.”  He would come to have a total of four plays enter the Broadway scene during his career.

News clipping, c.a. 1949. IU Archives, C299, Box 31.

Hayes wrote his most successful piece, The Desperate Hours, in 1954, and brought his novel to both Broadway and Hollywood the following year.  The Desperate Hours was a story of a fictional family living on Kessler Boulevard, which was terrorized by three desperadoes.  In an interview in 1987 over the novel, Hayes explained that The Desperate Hours “was written in truly desperate circumstances”:

“My influences were desperation. I wrote it in six weeks, working 16 to 17 hours a day. I did the thinking and took notes on the way down. (The situation in the novel) was the most dramatic thing I could think of that would relate to the most people.”

In 1955, Hayes won the first Indiana Authors Day Award for the most distinguished work of fiction by an Indiana Author.  In the same year, the Broadway play version won the Tony Award for Best Play, and Hayes won an Edgar Award from the Mystery Writers of America for Best Motion Picture Screenplay for the film version, starring Humphrey Bogart.  In 1990, The Desperate Hours film was remade, with Hayes once again participating as co-screenwriter.  Hayes stated:

Title page of The Desperate Hours; second printing, 1954. Herman B Wells Library, PS3515.A972 D4.

“Since I’m the only writer who has ever done novel, play and screenplay solo from a single work of his own I can’t let anyone else at it.”

Throughout his career, Joseph Hayes penned numerous articles, short stories, novels, plays, and screenplays, including pieces in collaboration with wife, Marrijane Johnston, who was also an author.  Together they wrote the novel Bon Voyage in 1956, eventually bringing it to Hollywood in 1962, where the husband and wife duo co-wrote the screenplay for the Walt Disney film of the same name, starring Fred MacMurray.  The hectic schedule from the film made Hayes miss the Indiana Authors Day luncheon in 1957 to celebrate his award from the previous year for The Desperate Hours:

Letter to Earl M. Hoff; January 25, 1957. IU Archives, C444, Box 2.

“Nothing would please me more than to be able to say that I could be there April 14th.  Unfortunately, I don’t know where I’ll be.  I’m working on the screenplay of the new book, Bon Voyage! — and may have to go to Italy to scout locations or to Hollywood to discuss the many details — as we want to shoot in May…”

Adapting his own writing to the theater became a hobby of Hayes’, once again adapting his 1967 novel, The Deep End, into a play.  Although writing for multiple formats, Hayes is quick to point out to Cecil K. Byrd, longtime librarian and faculty member at Indiana University, that just because someone enjoys one medium of work (books, films, plays, etc.), does not mean they enjoy the other.  In regards to his novel, The Deep End, Hayes wrote:

Letter to Cecil K. Byrd; May 20, 1967. IU Archives, C542, Box 5.

“I shall be in New York all of next week for promotion, interviews, exploitation, etc. as arranged by Viking.  A nuisance we both deplore, but apparently necessary.  I find it hard to believe that people who watch television also buy books, but apparently they do.  (It’s not set definitely, but will probably appear TODAY SHOW on May 31, pub-date.)”

To which Cecil Byrd responded:

“That promotion week in New York is a heavy drink!  Look behind you once or twice!  I’ll watch TODAY SHOW on May 31.  Hope it becomes definite.”

Letter to Joseph A. Hayes; May 24, 1967. IU Archives, C542, Box 5.

Although deemed by some as having an unsuccessful career as an author after the publication of The Desperate Hours, Hayes positively claimed:

“No book I’ve ever written could be considered a financial failure.”

In 1970, Indiana University awarded Hayes with the Distinguished Alumni Service Award, and in 1972, the Honorary Degree of Doctor of Humane Letters.  Hayes died on September 11, 2006.  Through the suggestion of Cecil Byrd many years ago, Joseph Hayes’ collection materials, including letters, manuscripts, drafts, typescripts, first editions of books, other writings, and foreign translations, are now housed at the Lilly Library.  The Hayes, Joseph Arnold mss., 1941-1977 collection (LMC 2828) can be viewed at the Lilly Library by appointment.

Rites of Spring – Indiana University May Festival

As springtime bloomed across Indiana University in 1908, an Indiana Daily Student reporter eagerly previewed an upcoming campus event. “Dainty maids in the picturesque garb of the English peasant or the flaxen-haired Norwegian will dance the complex, but graceful folk dances of long ago.” Who were these “dainty maids” and what was this dazzling-sounding spectacle? The new Indiana University May Festival collection (C693) at the University Archives tells us a history of a vernal campus tradition. Importantly, the Indiana University May Festival became an active space for female student participation in the early twentieth century.

A scene from the 1924 May Festival, IU Archives photograph. Eight women dance in a field.
A scene from the 1924 May Festival, IU Archives no. P0026270

The IU May Festival began in earnest in 1905, when the IU Lecture Association organized an event featuring orchestral and choral performances in the Men’s Gymnasium. A cantata rendition of “The Swan and the Skylark” and ballet music from Faust evoked a springtime feeling. Despite glowing reviews, the IULA-hosted May Festival suffered from poor student participation. An Indiana Daily Student reporter expressed disappointment in 1906: “The small attendance is inconceivable. If the singers of Bloomington and the University knew what the chorus is doing, there would be a regular attendance of 200 instead of 30 or 40.” The event satisfied a Bloomington audience, but didn’t impact enough IU students at the time.

Section of the program for the 1905 May Festival, IU Archives
Section of the program for the 1905 May Festival, IU Archives C693

Beginning in 1908, the Women’s Athletic Association and Department of Physical Education for Women hosted the event in the Women’s Gymnasium for an invitation-only audience. Female students demonstrated exercises like dumbbell handling and club-swinging “with all the vigor and skill of their brothers,” as an IDS reporter noted. In the afternoon, they transformed into “dainty maids” to dance and wind cream and crimson streamers around a tall May Pole. Interestingly, the IDS also notes that only a small number of male students received invitations to the 1908 event.

This iteration of the May Festival was a staple of campus life by the 1920s. By 1922, the Women’s Self-Government Association (WSGA) sponsored an integral feature of the event: the election and crowning of a May Queen. The 1924 May Festival program names Mildred Wight as May Queen, with her heralds Ethel Budrow and Dorothy Tousley. Following a procession with flower girls, crown bearers, maids of honor, and other attendants, “The newly crowned May Queen is entertained by the joyous peasants.” IU students in pastoral garb performed six folk dances for the May Queen, followed by the mythical dance program “Fantasy of Dusk and Dawn.” The programs in this collection show how the all-female May Festival committee staged a mythological renaissance for modern day Bloomington.

Program for the 1924 May Festival, IU Archives C693
Program for the 1924 May Festival, IU Archives C693

By the 1922 May Festival, the WAA and WSGA had moved proceedings to Dunn Meadow. Rather than an invitation-only event in the Women’s Gymnasium, the May Festival had turned into a public performance. This collection also includes a 25-cent ticket for “Sylvia” to attend the Dance Drama portion of the festival at Dunn Meadow in 1927. IDS articles from this time also list the delightful box lunches served to attendees (who could say no to shrimp and mayonnaise sandwiches?) at no cost. One reporter indicated that the WAA and WSGA prepared 800 of these lunches—enough for a huge crowd. The May Festival shows how women at IU transformed a small musical celebration into a popular event that highlighted their talents as athletes, dancers, singers, and artists.

It appears that the WAA and WSGA ceased sponsorship of the May Festival after the 1920s. The last program contained in this collection is from 1928. IU women, however, carried on celebrating the tradition into at least the 1940s, as documented in the IU women’s residence halls scrapbooks. Collection C631, which contains 82 such scrapbooks from 1925-1959, is open for research and offers images from these later unofficial celebrations.

May Day Festival participants Betty Higbee and June Hiatt, 1937. This image scanned from "The Towers" (yearbook / scrapbook / photograph album) compiled by residents of East Memorial Hall when it was a dormitory.
May Day Festival participants Betty Higbee and June Hiatt, 1937. This image scanned from “The Towers” (yearbook / scrapbook / photograph album) compiled by residents of East Memorial Hall when it was a dormitory. IU Archives image no. P0052722

To learn more about the May Festival collection or to view the collection yourself, please feel free to contact the University Archives to set up an appointment.

New at the Archives: Esther Thelen papers 1977-2005

Professional headshot of Esther Thelen
Professional headshot of Esther Thelen, IU Archives P0078703

We are happy to announce that the papers of Esther Thelen (1941-2004), former professor of psychology at Indiana University Bloomington and a prominent figure in the field of developmental psychology, are now available for access at the University Archives.

After receiving her undergraduate degree in zoology from the University of Wisconsin in 1963, Thelen took a break from academia to begin her family before beginning graduate studies in zoology at the University of Missouri. It was there that she took a graduate course in animal behavior, which set off a chain of connections that would eventually lead to her impressive tenure as a professor and scholar in the field of developmental psychology.

Thelen and a tiny research subject during a study on infant coordination
Thelen and a tiny test subject during a study on infant coordination, IU Archives P0078729

While Thelen was conducting a study on the grooming behavior of wasps, the repetitive movements of the wasps reminded her of psychologist J. Piaget’s observation of circular reactions in the movement of human infants. Inspired by this connection, Thelen conducted a descriptive study of 49 different types of repetitive movements in infants, for which she earned her PhD in biological sciences in 1977.

After spending a few years as an assistant professor at the University of Missouri, Thelen came to Indiana University Bloomington as a full professor of psychology in 1985. While at IU, she founded and directed the Infant Motor Development Laboratory, where she and her colleagues studied infant movement, perception, and cognition. With a research output that included three books and over 120 scientific articles and chapters, Thelen made many revelations about infant motor development that influenced scholarship in fields as diverse as pediatric physical therapy, neuroscience, computer science, robotics, and kinesiology.

The Mobile Research Laboratory, a bus containing portable research equipment for the IU Department of Psychology
The Mobile Research Laboratory, a bus containing portable research equipment for the IU Department of Psychology, IU Archives P0078735

Thelen gave talks at universities, conferences, and workshops all over the world, and her influential work was often featured in national media sources. In this 1993 clip from the PBS program Scientific American Frontiers, the cameras follow along as Thelen and her colleagues take a ride in their “Mobile Research Laboratory,” a bus containing portable equipment essential to their studies of infant movement. This Mobile Laboratory enabled Thelen and her colleagues to travel to the homes of their infant research subjects in order to perform their studies remotely. The clip also shows Thelen working with her subjects in the Infant Motor Development Laboratory on campus.

During her tenure at Indiana University Bloomington, Thelen set a new standard for studying motor control and coordination in infants. Her collection at the University Archives includes materials such as personal files and correspondence; documents related to public speaking appearances, publications, and leadership roles in professional organizations and committees; educational materials from psychology courses taught by Thelen; and materials related to Thelen’s research, including handwritten notes, drafts of studies, and original U-Matic videotapes of research subjects.

To learn more about the Esther Thelen papers 1977-2005 or to view the collection yourself, please feel free to contact the University Archives to set up an appointment.