Sticking to the Dance Card: Student Socials and Dancing to the Music of Louis Armstrong and Hoagy Carmichael at IU

In the early to mid-twentieth century, students didn’t make friends on social media or find a date through an app.  They went to student sponsored socials and dances, with chaperones and live bands.  The women were asked to dance by a different male student for almost every song, and they needed cards to avoid scheduling one dance with two different boys. They knew how to have fun and even got to hear some great music! Who wouldn’t want to hear Hoagy Carmichael or Louis Armstrong?

Junior Prom with Count Basie Orchestra, Alumni Hall, 1946

The Myra Montgomery Arthur Dance Card Collection and the Indiana University Archives Dance Card Collection hold numerous examples of inventive miniature booklets once used by female students to schedule their dance partners when at a social event.  The two collections together contain over 50 different dance cards from dances and parties held at IU for students between 1900 and 1955.  The ‘cards’ are often about the size of a person’s hand or smaller, with several pages provided for listing names.  Some are in different shapes, such as a clover for a St. Patrick’s Day dance, or a football for the Foot-Ball Dance, held on the eve of the Syracuse-Indiana game in 1925.  Others are attractive metal or leather booklets with a ribbon or string for a young lady to loop around her wrist while dancing.  Parties and dances were sponsored by sororities, fraternities, and other student clubs and groups such as the Boosters Club, and there were always annual dances like the Annual Senior Siwash or the Junior Prom.  There were so many dances, sock hops, and events to attend, a student could not only have a full dance card each night, but also a full schedule for the week!

The “Jonquil Jump” held on April 14, 1928 was a dance sponsored by the AWS. Hoagie Carmichael performed.

Inside the inventive and colorful covers of a dance card was a lady’s promised dances, but also a list of chaperones, the name of the student organization sponsoring the dance, and who performed the live music. Many of the performers were local or college bands that played at IU often, but some were upcoming or established stars of the jazz and big band era! It turns out Hoagie Carmichael and Carmichael’s Collegians performed at a few of the student dances between 1924 and 1925 as his career was beginning.  The students who planned The 1939 Junior Prom even somehow found a way to book Louis Armstrong!

Carmichael's Collegians. This image scanned from page 117 of the 1924 Arbutus yearbook. (Clockwise starting at bottom with Carmichael at piano) Howard Hoagland "Hoagy" Carmichael, Unknown, Howard Warren "Wad" Allen, Unknown, Unknown, Unknown.
Carmichael’s Collegians. This image scanned from page 117 of the 1924 Arbutus yearbook.
(Clockwise starting at bottom with Carmichael at piano) Howard Hoagland “Hoagy” Carmichael, Unknown, Howard Warren “Wad” Allen, Unknown, Unknown, Unknown.

Hoagy Carmichael was a Bloomington native who, after graduating from IU with a bachelor’s degree and law degree in 1925 and 1926, went on to become one of the most significant composers and musicians of his time.  Famous for writing well known hits like “Georgia on My Mind” and “Stardust” among others, Carmichael is an icon of the jazz and big-band eras.  He worked with Johnny Mercer on a number of projects including collaborating with him on “Skylark” in 1942, and his songs were performed by many famous singers including Louis Armstrong.

This dance card from May 5, 1939 has a metal casing and shows Louis Armstrong performed at the dance sponsored by The 1939 Junior Class of IU.
The dance card for the Indiana University Junior Prom 1939, held on May 5, 1939, has a metal casing and a page at the end shows Louis Armstrong performed at the dance sponsored by The 1939 Junior Class of IU.

The young men and women who were lucky enough to attend a student dance where Hoagy Carmichael or Louis Armstrong were performing during the 1920s and 1930s not only had the chance to fill their dance cards, but also to see some of the era’s most famous musicians!

To learn more about the Myra Montgomery Arthur Dance Cards Collection or the Indiana University Archives Dance Card Collection, or see them for yourself, contact the IU Archives.

“Aviation Adventures”: Amelia Earhart’s Lecture at IU

Eighty-eight years ago today, Amelia Earhart departed from Trepassy, Newfoundland in a Fokker F7b-3M named Friendship to begin her successful flight across the Atlantic Ocean. Co-pilots Wilmer Stultz and Louis Gordon were also on the flight that took over 20 hours before landing safely in Wales, making Earhart the first woman to fly across the Atlantic.

Amelia Earhart at the cabin door of the Friendship, 1928. Photo from the Purdue University Archives.
Amelia Earhart at the cabin door of the Friendship, 1928. Photo courtesy of the Purdue University Archives.

In the fall of 1936, Agnes E. Wells, Dean of Women at Indiana University, was corresponding with O. B. Stephenson from The Emerson Bureau in hopes to have Earhart speak at IU. In the letter below, Wells received the good news that Earhart would, indeed, be coming to the university on October 22, 1936 for a fee of $350. “Dear Miss Wells, A letter this morning from Miss Earhart accepts your lecture engagement the evening of October 22.”

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Several newspapers, including the Indiana Daily Student and the Bloomington Evening World, excitedly reported that Amelia Earhart would be giving her lecture “Aviation Adventures” at Indiana UnivEarhart004ersity in Alumni Hall at 8 pm on October 22, with an informal reception to follow. The reception was an opportunity for the public to meet and question Earhart and was sponsored by A.W.S. and St. Margaret’s Guild, Bloomington Charity Organization.

During her visit, Earhart gifted this photograph to Indiana University, with an inscription written by her on the back: “To the Indiana Union. Amelia Earhart, October 22, 1936.”

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Autographed photograph of Amelia Earhart, IU Archives image no. P0046625

 

 

Sincerely Yours – Letters from the Archives: Helen Keller

William Lowe Bryan – Indiana University alumnus, professor, vice president, president, and finally, president emeritus – had a dazzling array of correspondents over the years. Included on the roster were presidents, entertainers, writers, scientists….the list goes on. They are all fascinating but when I first stumbled across the below in his presidential correspondence a few years ago, the writer’s evident pain rather took my breath away:

Helen Keller to William Lowe Bryan, December 31, 1936

Most American schoolchildren learn the story of Helen Keller but just a recap: as a toddler, Keller fell ill and once recovered, had lost both her hearing and vision. As she grew, she developed a method of communicating with her family but in 1886 her parents sought additional help for their daughter and found themselves at the Perkins Institute for the Blind. The school’s director asked 20-year old teacher Anne Sullivan, who had herself become visually impaired due to a childhood illness, to work with young Helen. Thus began a lifelong friendship between the two. In October 1936, Anne suffered a heart attack and died five days later at the home she shared with Helen.

Sincerely Yours – Letters from the Archives: A Viennese Jewish Refugee of WWII, Charlotte (Lotte) Lederer

Born in Zistersdorf, Austria on September 7, 1919, Charlotte (Lotte) Lederer arrived in New York, New York on August 28, 1939 via the S. S. Bremen through Southampton, England. The recipient of one of three refugee scholarships from the Indiana University Board of Trustees that covered her tuition in full, she enrolled at Indiana University that fall while student organizations such as the Student Refugee Committee organized benefit dances and raffles to cover room and board. After a year at IU, Lotte penned this note of gratitude:


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While at Indiana University, Charlotte met and subsequently married fellow student Hugh Grant Freeland on April 24, 1941. The pair graduated in May 1942; Charlotte with a B.A. in Psychology and Hugh with his LL.B.

While the details of their life after graduation are a little hazy, we know that the Freelands immediately moved to Louisville, Kentucky where Charlotte initially took a job at the University of Louisville in the office of the Dean of the College of Liberal Arts while Hugh worked as an attorney for Seagrams. She wrote her mentor Frank Beck back at IU that “I really had first planned on doing something in connection with the war-effort. But I was not able to find the right thing…. I feel all at home here – as you know I have always been crazy about university-atmosphere, etc.” She later took a position doing “personnel research work” at Seagrams. On January 21, 1944 she became a naturalized United States citizen. By that point Lt. Hugh G. Freeland of the US Naval Reserve was stationed in the Pacific, and she had relocated to Washington D.C. in 1945 where she was working as a Classification Analyst in the Personnel Division of the Office of the Secretary of War. She wrote the IU Alumni Association on October 27, 1945 that “It’s a swell and very interesting job. There are many I.U. grads in the Pentagon, and we are all enjoying the good news of our Football Team this year.” Following the war the couple moved to Beaumont, Texas where Charlotte taught German at a Beaumont high school and Hugh began a law practice specializing in corporate law.

To learn more about other refugees who came to IU during WWII, contact the IU Archives. The above letter is currently on view as part of the exhibit “‘Here I met my first true radicals'”: Student Reform Movements at Indiana University.”

The above letter is located in C213 President’s Office records – Herman B Wells.

IU’s Contemporary Dance Program

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The Terpsichoreans, n.d.

Indiana University’s Contemporary Dance Program dates back to 1927. Dancer Jane Fox, a graduate of Columbia University (NY), came to the IU campus as a faculty member with the intention of introducing “natural dance” to students. Though we know it to be its own department today, the Program first began as a part of the Women’s Physical Education department, under the supervision of the School of Education, which supported and funded it. Classes were held in the Student Building and in 1935, the first modern dance performing group, the Terpsichoreans, was organized. This group later evolved into the Modern Dance Workshop.

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“Modern Dance Workshop…” Indiana Daily Student, 21 Sep 1960

Jane Fox was not only a staunch defender of dance education but also worked to validate the art of dance to the campus in general. In her quest to gain a wide acceptance of modern dance as a legitimate art form and academic discipline, Fox garnered campus, community, and national support. She immersed herself not only into IU’s culture, but also became the Chair and Secretary of the Dance Section of the American Association for Health, Physical Education and Recreation (AAHPER), the head of the National Committee on Standards in Teacher Education in Dance, and frequently contributed scholarly writings to the Journal of AAHPER and The Dance Observer. Fox continued to defend the validity of the art form during her time at Indiana University, and soon the medium was well respected on campus.

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“Sports healthy for women” Indiana Daily Student, 14 Nov 1967

In 1949, the Dance Major Program was formed, and with continued support from Fox, as well as increased student enrollment, modern dance was soon seen as a legitimate part of the campus community and a respected academic discipline.

The Dance Major Program experienced tremendous growth in both enrollment and reputation from this time until the late 1980s, and had a successive number of coordinators to direct the Program including Dr. Jacqueline Clifford, Fran Snygg, Bill Evans, Vera Orlock, Gwen Hamm, and Dr. John Shea.

Despite their best efforts to keep students enrolled during 1988-1991, the School of Health, Physical Education and Recreation administration decided that a moratorium would be placed on the Dance program, effective May 1991. Students would be allowed to complete their Bachelor’s degrees in dance, but no new students would be accepted into the Dance Major Program.

Program Booklets, 1980s
Department of Dance, Program Booklets, 1980s

Despite this massive change, the professors and staff members committed to the role and mission of the program spent the next ten years (1991-2001) attempting to salvage the work they, Fox, and others had put forth during the last 60 years. 1991-2001 saw an increase in the number of students enrolled in the Elective Dance Program, which gave them hope for the future. Courses were expanded, students were surveyed, and the administration began to discuss the possibility of reinstating the Dance Major in 2004. Once all of the reinstatement procedures were determined and the curriculum revision had taken place, the fall of 2005 saw the first audition and admission of students to the Dance Major since 1991.

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“Modern Dancers to Compete…” Indiana Daily Student, 15 May 1951

Today, the Dance Major Program is supported by 16 faculty and staff members. The program is based in modern dance, but students

"Spring Performers" 30 Mar 1967
“Spring Performers” Indiana Daily Student, 30 Mar 1967

also study ballet and world dance forms, and can elect to study musical theatre, tap, and jazz. The Program boasts over 50 Dance Majors and 100 Dance Minors.

To learn more visit the IU Contemporary Dance Program’s website, or visit the IU Archives to view the Jane Fox papers or the Dance Program records.