Lilly Library

Wintertide Wonders: Winter Holidays and Superstitions

Brrr, ’tis the season for hot cocoa, snow boots, and final exams–as well as seasonal celebrations! Curatorial assistant Jake Gentry is here to showcase some festive selections!

Winter can be a polarizing season, marked by shorter days, harsher temperatures, and busier schedules. Yet it is also one of the most widely celebrated times of the year. Across the globe, ancient and modern festivals, traditions, and holidays bring light to the darkest months. From jolly gift-givers to ghastly, gargantuan cats, winter hosts a myriad of merry events. So, let us light the candles, spin some tales, and give the gift of a sampling of wintertime holidays and folklore drawn from the collections of the Lilly Library!

December 5: Krampusnacht (“Krampus Night”)

St. Nicholas Day is filled with delicious feasts and festive gift-giving, but it also carries a darker edge, especially in the companions of St. Nicholas, who sometimes travel with him on his rounds. In parts of Central and Eastern Europe, especially in the Alpine regions, St. Nicholas visits children on December 5th (St. Nicholas Eve, or Krampusnacht, meaning “Krampus Night”) or December 6th (St. Nicholas Day). On these nights, he may be joined by his festively fiendish assistant, Krampus.

A hellish figure described as half-goat and half-demon, Krampus is typically covered in black or brown fur, with cloven hooves, bloodshot eyes, sharp fangs, and a long, pointed tongue. He is often depicted carrying a whip made of birch twigs or horsehair (Billock). Even his name has sinister origins: “Krampus” may derive from the Old High German word Krampe, meaning “hook” or “claw,” or the Bavarian krampn, meaning dead or shriveled (Winick).

While St. Nicholas rewards nice children, Krampus punishes the naughty. These punishments vary by region, ranging from a swat of his birch whip to far more terrifying fates, such as being stuffed into his sack and carried away to his lair, where they may be tortured or even eaten (Billock). While the history of the Krampus legend is uncertain, many scholars suggest that he originated from pre-Germanic pagan traditions rather than Christian Christmas customs. Some link him to Hel, the Norse goddess of the underworld (Billock), while others trace Krampus’s iconography to medieval German art and illuminated manuscripts, whose devils and demons blend Christian and pagan visual traditions (Winick).

Greet card featuring St. Nicholas dressed in white in bishop attire alongside Krampus, a devilish goat-man figure with hooved feet, horns, a long tongue. While St. Nicholas holds a bag of gifts, Krampus brandishes a whip made of sticks.
This German Krampuskarten (literally “Krampus card”) is a greeting card featuring Krampus and St. Nicholas (NC1866.C5 no. 16-375). The German text roughly translates to, “The nicely polished shoes are of no concern to the Krampus,” followed by the cheery sendoff, “Greetings from Nikolo!” St. Nicholas is shown in traditional white pontifical vestments, wearing a pointed mitre and holding a crozier (bishop’s staff) and his sack of gifts. In stark contrast, Krampus appears dark and devilish, brandishing a switch of birch branches for punishing naughty children. In some depictions, Krampus is chained to St. Nicholas, suggesting an effort to restrain or control him. The polished shoes are a reference to the tradition of children leaving clean boots out for St. Nicholas to fill with gifts if they have been well behaved. In Hungary, children who have misbehaved may find a virgács—a switch made of birch or willow twigs—in their boots instead, a punishment comparable to the Western tradition of finding coal in one’s stockings.

Festive Fact: Krampus is not a single recognizable individual like St. Nicholas, but a type of demon or monster (Winick). This means that there can be many Krampuses appearing at once, an especially unsettling thought. The figure who accompanies St. Nicholas is simply referred to as the Krampus for convenience, although he is only one of many.

Another German Krampuskarte shows Krampus in a more traditional devilish form, with red skin, horns, and pointed ears (NC1866.C5 no. 16-375). The German text, “Gruss vom Nikolo,” translates to “Greetings from Nikolo [S. Nicholas].” On St. Nicholas Eve, also known as Krampusnacht, St. Nicholas traditionally leaves good children tasty treats such as fruit, nuts, and sweets. Here, is bag is filled to the brim with apples.

This tradition has roots in older Austrian folk customs such as Perchtenlauf or Klaubaufe, in which people walked in procession and dressed as Perchten, spirits who come in two distinct forms, the beautiful (Schönperchten) and the ugly (Schiachperchten, or Percht). Historically, women portrayed the Schönperchten, while young men dressed as the Percht, a furry, long-necked, goat-demon creature often considered a proto-Krampus (Grimm 279). Going door to door, the Perth were believed to banish ghosts and demons, while the Schönperchten brought prosperity and dispelled mischief (Wagner).

The Perchten themselves can be traced back to Perchta, a goddess of Alpine pagan tradition who, like St. Nicholas, was believed to visit homes during the winter. She rewarded well-behaved children by leaving silver coins in their shoes or pails. Less kindly, however, Perchta was also said to punish misbehavior or those who failed to observe her feast day with the traditional meal of fish and gruel. Folklore recounts that she punished offenders by cutting them open and replacing their insides with straw or bricks. Never fear, Perchta does sew her victims back up, though she used a ploughshare and an iron chain rather than a needle and thread (Grimm 273-277). In short, be good and eat your gruel.

Photograph of a person dressed in a grotesque, traditional horned demon mask with a long tongue and red eyes.
This illustration of Perchta appears in Christmas by William Sansom, published in London by Weidenfeld & Nicolson in 1968 (GT4985 .S229 1968). According to Austrian custom, Perchta and her attending Perchten peer into the windows of homes on the nights of January 5 and 6 (St. Nicholas Eve and St. Nicholas Day) and can only be sent on their way with a small gift. Note the rolling tongue, black fur, and horns—it seems that Frau Perchta and Krampus might be distant cousins.
Postcard featuring an illustration of a saintly dressed St. Nicholas and the devilish figure Krampus riding in a sleigh. A smaller demon steers the sleigh, which is pulled by two goats. The card's text is written in German, which can translate as 'The companion is probably not worth much, with whom St. Nicholas travels to earth, but the Good One knows exactly: people very often need the rod.
This bonus Krampuskarteshows Krampus and St. Nicholas on a sleigh pulled by two goats and steered by a miniature demon—perhaps an infant Krampus?—at the reins (NC1866.C5 no. 16-375). The German text roughly translates to: “The companion is probably not worth much, with whom St. Nicholas travels to earth, but the Good One knows exactly: people very often need the rod,” followed by “Greetings from Nikolo [St. Nicholas]!” It is not a particularly warm holiday sentiment, but the presence of baby Krampus softens the message a little.

December 5-6: St. Nicholas Eve and the Feast of Saint Nicholas

Long before Saint Nick became the jolly gift-giver with a proclivity for good-natured home invasions, he was St. Nicholas of Myra, a fourth-century bishop in the ancient city of Myra in Lycia (a historical region of Anatolia, or Asia Minor, in what is now Turkey’s Antalya Province). According to Symeon the Metaphrast, a Byzantine author, hagiographer, and saint of the Eastern Orthodox Church, Nichoas was born around 270 CE in the nearby port city of Patara (Holweck 741).

Nicholas was credited with numerous miracles, even in his youth. These included healing a woman’s withered hand, protecting an infant from fire, and expelling demons from a cypress tree. After undertaking a pilgrimage to Egypt and the southern Levant, he was elected as bishop of Myra in 317 CE and became widely known for his charitable acts, earning the title Nicholas the Wonderworker.

His life, however, was far from comfortable. He was imprisoned during the Diocletianic Persecution of Christians (303-313 CE) and, according to later tradition, was even involved in a physical altercation with the Egyptian theologian Arius at the Council of Nicaea in 325 CE. Nicholas died at age seventy-three in Myra. In 520 CE, the Byzantine emperor Justinian I ordered the construction of the Church of St. Nicholas over his burial site.

Illustrated page featuring St. Nicholas of Myra, with his feast day of December 6th displayed above him.
This image of St. Nicholas of Myra is a detail from an engraved broadside by Alexander Anderson. Printed December 6, 1810 (NC825 .C4). This is the earliest image of St. Nicholas created in the United States. Above Nicholas is his death date, December 6, 343 CE. In his honor, December 6 is celebrated around the world as his feast day, known as St. Nicholas Day or the Feast of St. Nicholas.
Flanking Nicholas are two curious details: a small, seemingly disgruntled dog and a beehive. St. Nicholas is venerated as the patron saint of a remarkably wide range of groups, including mariners, children, merchants, toymakers, coopers, pawnbrokers, travelers, bakers, brewers, broadcasters, and pharmacists, among others (Holweck 741).

St. Nicholas’s legacy spread rapidly across the world, giving rise to many regional names and traditions. He appears as Sinterklaas in the Netherlands, Father Christmas in Britain, Shen’Kollë in Albania, Miklavž in Slovenia, Samichlaus in Switzerland, and Mykolai in Ukraine. Despite these variations, St. Nicholas is most often remembered as a giver of gifts. One of the earliest stories recounts how he secretly provided a poor father with three bags of gold to pay his daughters’ dowries, thus saving them from enslavement (Mandryk 237). According to legend, Nicholas tossed the coins into the house through a window, where they landed in the family’s shoes set by the hearth to dry.

By the early twelfth century, nuns in Belgium and France began distributing gifts to children and the poor on December 6, St. Nicholas’s feast day. These charitable practices helped establish the foundations of St. Nicholas Day and, eventually, broader Christmas traditions, although it would take another century for the celebration to become firmly established in places like Germany, France, and the Netherlands (Mandryk 237).

Festive fact: In honor of St. Nicholas and the legend of his three bags of gold coins, pawnbrokers sometimes have three gold balls on or hanging from their store signs (Holweck 741).

Woodcut
This hand-colored lithograph depicts a bustling Christmas market and St. Nicholas in a brown suit surrounded by an abundance of toys. Titled “Der Weihnachtsmartt aus Ruppin ist zu haben bei Gustav Kuhn̈” (“The Christmas market from Ruppin is available from Gustav Kuhn̈”), it was printed in the nineteenth century by the German printer Gustav Kuhn̈ in Neuruppin, Brandenburg (NC825 .C4). Kuhn̈ was well known for his illustrated broadsides, or Bilderbogen, or “picture sheets,” which became widely popular in the region.
In this image, St. Nicholas appears in more muted, earthly attire, wearing a brown robe and a crown of green leaves rather than the bright red outfit that has been associated with the modern American Santa Claus. That iconic red suit with fur trim also has German roots. It was popularized by Thomas Nast, a German-born American caricaturist and political cartoonist whose work was featured in Harper’s Weekly. The image was further cemented in popular culture by illustrator Haddon Sundblom, whose 1931 advertisements for the Coca-Cola Company helped define the modern American Santa Claus.

Festive Fact: Among the “toys” St. Nicholas brings for German children in this image are a crossbow, several swords, a whip, and even a cannon. And to think, poor little Ralphie got scolded just for asking for a BB gun.

Today, the Feast of St. Nicholas, otherwise known as Saint Nicholas Day, is a Christian holiday celebrated on December 6 in honor of the saint. Food plays an important role in many of these observances. In Albania, families often light candles and abstain from meat until midnight, where they welcome guests for meals featuring roasted lamb and pork. In Serbia and Bulgaria, guests are treated to fish dishes, especially carp. In Alsace, bakers prepare mannela (Alsatian for “little guy”), sweet rolls shaped into small caricatures of Saint Nicholas.

Shoes play an important role in St. Nicholas Day traditions, likely because of the popular legend of St. Nicholas and the poor father. On the eve of the feast, children in the Netherlands fill their shoes with hay and carrots for Sinterklaas’s white horse, Schimmel, and leave them out in hopes that St. Nicholas will return them filled with small gifts such as coins, marbles, toys, and treats. Similar customs appear in Croatia, Germany, Hungary, Poland, Romania, Slovakia, and Ukraine, where children leave clean boots on a windowsill or outside the front door to await St. Nicholas’s visit.

December 8: Bodhi Day

Bodhi Day, also known as Rōhatsu (臘八), Shaka-Jōdō-e (釈迦成道会), Jōdō-e (成道会), and Alaw ng Bodhi, is a major Buddhist holiday observed on December 8th. According to Buddhist tradition, this date marks the moment when Prince Siddhartha Gautama attained enlightenment beneath the Bodhi tree (a Bo tree, Ficus religiosa) in the fifth century BCE at what is now the Mahabodhi Temple in Bodh Gaya, Bihar, India.

Enlightenment did not come easily. Siddhartha is said to have meditated beneath the Bodhi tree, also called the Tree of Wisdom, for forty-nine days, resisting the temptations of Māra (मार), a demon associated with death and desire. By overcoming these trials, he achieved enlightenment and entered nirvāṇa (निर्वाण), a state of perfect liberation and bliss (Naumann 3). Through this spiritual enlightenment (bodhi, बोधि), Siddhartha Gautama became the Buddha. Buddhist tradition holds that he was neither the first Buddha nor the last (Naumann 4).

Festive Fact: “Buddha” translates to “Awakened One” or “Enlightened One” (Naumann 3).

This close-up of a woodcut relief print of Gautama Buddha, seated on a throne and surrounded by a flaming mandorla, is from the Ta po nieh p’an ching, published in China in 1420 CE (BL1411 .T2). The Buddha’s topknot represents the uṣṇīṣa, a cranial projection traditionally depicted on images of the Buddha. The uṣṇīṣa can signify the Buddha’s spiritual authority as the “King of the Dharma” and is also a symbol of enlightenment. The flaming mandorla, an almond-shaped, luminous frame surrounding the figure, further emphasizes the awakened state. In several Buddhist traditions, such mandorlas visually express spiritual radiance and enlightenment.
Buddhist scroll depicting the Buddha surrounded by
This full woodcut frontispiece comes from the Ming dynasty-era Ta po nieh pʻan ching (BL1411 .T2) and is titled Original Vows of the Bodhisattva Kṣitigarbha Sutra (Dìzàng Púsà Běnyuàn Jīng) with the Assembly at Vulture Peak. The woodcut depicts the Buddha Gautama seated on a luminous, flame-like throne, surrounded by monks and bodhisattvas. A bodhisattva is an enlightened being who delays their entrance into nirvana in order to help others achieve awakening, following the compassionate example of the Buddha himself (Naumann 4). The gathering takes place at Vulture Peak—also known as Gṛdhrakūṭa, or Holy Eagle Peak (गृध्रकूट)—a site especially significant in Buddhist tradition. Vulture Peak was said to be the Buddha’s favored teaching place near the ancient city of Rājagṛha, known today as Rajgir in Bihar, India.
This hand-painted frontispiece depicts the Buddha Gautama seated on a lotus throne atop Vulture Peak, surrounded by divine attendants as he teaches the Dharma. The teachings come from the Jingoji Sutra, also known as the Sutra of Enlightenment through the Accumulation of Merit and Virtue. The handscroll is written in gold and silver ink on indigo-dyed paper and was commissioned by Emperor Toba, the seventy-fourth emperor of Japan, during the late Heian period, between 1150 and 1185 CE. Although it is not visible here, the scroll bears a large rectangular Jingo-ji seal in red ink, marking it as part of a set of more than five thousand sutra scrolls known as the Jingo-ji Tripiṭaka, created during the Genpei War (The Met). The Tripiṭaka is a collection of the Chinese Buddhist canon. After Emperor Toba’s death, the project was completed by his son, Emperor Go-Shirakawa, who dedicated the scrolls to Jingo-ji temple in Kyoto in 1185 CE (LMC 1754, “(Sutra) Japan”).

Bodhi Day customs vary across Buddhist traditions, but many observances share common themes. Typical practices include additional meditation, chanting sutras, reading the Dharma, and performing acts of kindness (Bodhi Day). Food also plays a meaningful role. Traditional Bodhi Day foods often include tea, cake, and kheer, a milk-rice pudding said to have been the first meal offered to the Buddha by the milkmaid Sujātā after his enlightenment (Smith).

Beginning on Bodhi Day, candles or multicolored lights may be lit each evening for thirty days to represent the many pathways to enlightenment (Smith). These lights are often displayed in homes or hung on bo trees. The trees themselves may also be decorated with strings of beads symbolizing the interconnectedness of all things, along with three ornaments representing the Three Jewels of Buddhism: the Buddha, the Dharma, and the Sangha (Smith). In more contemporary or secular settings, families bake cookies shaped like the heart-shaped leaves of the bo tree.

In the United States, perhaps as a result of cultural diffusion, gift-giving may also be a part of Bodhi Day observances (Ikeda). It is important to note, however, that the meaning of the act lies not in the gift itself, but in the intention behind it. The practice reflects the Buddhist concept of dāna, or selfless giving, which emphasizes kindness, generosity, and the expectation of nothing in return (Ikeda).

December 14 – 22 [2025]: Hanukkah or the Festival of Lights (חַג הַאוּרִים‎, Ḥag HaUrim)

Illustration of a nine-branched Hanukkah menorah, with a nine candles ablaze and casting an intricate shadow.
This illustration shows a nine-branched Hanukkah menorah, or hanukkiah, from the miniature book The Jewish Festivals: New Year, the Day of Atonement, Tabernacles, Passover, Pentecost, Hanukkah, Purim by Louis Jacobs, published in Worcester, Massachusetts, by Achille J. St. Onge in 1961 (BM690 .J17). Note the four sets of candles on either side of the raised central candle. Traditionally, the main candles are not lit directly by one another. Instead, the central candle—known as the shamash (“helper” or “servant”)—is lit first and used to light each of the others. The shamash is set apart from the rest, usually positioned slightly higher, lower, or to the side. Candles are placed in the hanukkiah and lit from right to left, with one added each night of Hanukkah (Ross 254).

Caveat emptor (“Let the buyer beware”): If you are in the market for a hanukkiah this holiday season, be careful not to buy the seven-branched Temple menorah by accident! Likely due to careless marketing, Hanukkah decorations and advertisements often feature the incorrect form, with Temple menorahs appearing on wrapping paper, gift bags, and seasonal displays. When it comes to Hanukkah, remember, nine is fine!

According to the Hebrew calendar, the Jewish holiday of Hanukkah (חֲנֻכָּה‎ or חֲנוּכָּה‎) begins at nightfall on the 25th of Kislev and lasts until the 2nd or 3rd of Tevet. On the Gregorian calendar, the 25th of Kislev may fall anywhere between November 28 and December 27. Although Hanukkah is considered a minor festival that does not prohibit work or interrupt daily life, it is one of the most widely recognized Jewish holidays in the Western world (Jacobs 49).

Hanukkah derives its name from the Hebrew root ḥ-n-kh (חנך), meaning “to dedicate.” The festival commemorates the victory of the Maccabees, a group of Jewish rebel fighters, over Antiochus IV Epiphanes, ruler of the Seleucid Empire. At its height, the Seleucid Empire encompassed regions that are now Afghanistan, Iran, Iraq, Lebanon, and Syria, as well as the region of Judea, and its policies included the outlawing of Jewish religious practice. Hanukkah also marks the rededication of the Second Temple in Jerusalem after its desecration by Seleucid forces (Jacobs 50).

According to Jewish tradition, the Seleucid occupation defiled the sacred oil used to light the Temple menorah. When the Maccabees reclaimed the Temple, they found only a single small jar of uncontaminated oil, enough to keep the menorah lit for just one night (Jacobs 50).

According to tradition, the menorah burned for eight days, long enough for new oil to be prepared. In remembrance of this miracle, one of the central rituals of Hanukkah is the lighting of the Hanukkah menorah, or hanukkiah. The hanukkiah has nine branches: eight for the candles representing each night of the miracle, and one for the shamash, the candle used to light the others.

Beginning at sundown on the 25th of Kislev, the shamash is lit first and then used to ignite the first candle. Each evening, an additional candle is lit with the shamash, until all eight candles are burning on the final night of Hanukkah (Jacobs 53). Once lit, the candles should not be extinguished are are traditionally allowed to burn out on their own (Kimmel 32). The candles usually burn for about an hour and are replaced each day.

It is customary to recite two blessings each night before lighting the hanukkiah: one blessing the candles and another commemorating the miracles of Hanukkah. On the first night, a third blessing is added, the Shehecheyanu berakhah (Ross 255).

Illustration of a man and boy lighting a Hanukkah menorah, which is in a window overlooking a lit-up city.
This illustration by Irene Lieblich shows a man and child lighting a Hanukkah menorah. It appears in The Power of Light: Eight Stories for Hanukkah by Isaac Bashevis Singer, published in New York by Farrar, Straus and Giroux in 1980 (PZ7.S62 P88 1980). The hanukkiah in the image is adorned with a Star of David.

Both figures wear a kippah (Hebrew: כִּיפָּה), meaning “dome,” a traditional Jewish head covering. In Jewish practice, covering the head—particularly for men—is a sign of respect and reverence. Customs vary widely, however. Some Jewish men wear a kippah only in synagogues or during prayer and special occasions such as Hanukkah, while others wear one regularly or not at all.


Blessing for Lighting Hanukkah Candles

“בָּרוּךְ אַתָּה ה’, אֱ-לֹהֵינוּ מֶלֶךְ הָעוֹלָם, אֲשֶׁר קִדְּשָׁנוּ בְּמִצְוֹתָיו, וְצִוָּנוּ לְהַדְלִיק נֵר חֲנֻכָּה.”

Barukh Atah, Adonai Eloheinu, Melekh Haolam, asher kidshanu b’mitzvotav v’tzivanu l’hadlik neir Khanukah

Translation: “Blessed are You, O Lord Our God, King of the Universe, Who has sanctified us with His commandments and commanded us to kindle the lights of Khanukah [Hanukkah]” (Ross 255).


Alongside lighting the hanukkiah, the eight days of Hanukkah include a variety of traditional customs and celebrations. Children often play with dreidels—four-sided spinning tops (Yiddish: דרײדל, dreydl) marked with the Hebrew letters nun, gimel, hei, and shin. Together, these letters form the phrase Nes Gadol Haya Sham, meaning “A great miracle happened there” (Kimmel 23).

Food is also central to Hanukkah celebrations, especially dishes fried or baked in oil to commemorate the small jar of oil that sustained the Temple menorah for eight days. Some of these foods include latkes (potato pancakes eaten with jam, sour cream, or applesauce), buñuelos (fried dough fritters popular in Sephardic Jewish communities), and Sufganiyah (round, deep-fried pastries filled with jelly) (Kimmel 32).

Gift-giving is another common custom. Children may receive Hanukkah gelt (Hebrew:דמי חנוכה,dmei ḥanukah), or “Hanukkah money,” which typically consists of small coins. In more recent practice, this often takes the form of chocolate coins.

St. Lucia of Syracuse is depicted here in Doors to the Saints by Mary McCarthy & Shirley Veenema (N7433.4.M28 D66 2010). Around the same time as Hanukkah, another festival of light is celebrated. St. Lucy’s Day, also known as the Feast of St. Lucy, is a holiday observed by the Anglican, Lutheran, and Roman Catholic communities on December 13.

St. Lucy’s Day commemorates the legend that St. Lucy wore a wreath of candles on her head to light the way through the catacombs of Rome as she brought food to Christians hiding from persecution. In many regions, the day is marked by candlelit religious services. This is especially apt since Lucy’s name derives from the Latin ‘lux,’ meaning “light.” In this image, St. Lucy holds a platter bearing her own eyes. According to medieval legend, Lucy was captured during the Diocletianic Persecution and executed. Some accounts claim her eyes were gouged out by her captors, while others suggest that she removed them herself. As a result of this tradition, St. Lucy became the patron saint of the blind.

December 21st: Yule

Front cover of Alan S. C. Ross's Jólaköttur, Yuillis Yald and Similar Expressions, which features a decorative frame and heraldic symbols, such as three crowns, a bird, a lion with an axe, and a ship.
This front cover comes from Jólaköttur, Yuillis Yald and Similar Expressions by Alan S. C. Ross, published in London in 1937 by the Viking Society for Northern Research at the University of London. The booklet explores figures from Icelandic folklore, including the Yule Lads. Ross notes that, in some traditions, the Yule Lads were believed to carry people away if they had not received new clothing before Christmas (Alan Ross 2).

An even more ominous fate is associated with the Yule Cat (Jólaköttur), a legendary creature said to devour those who lacked new clothes for the holiday. The Yule Cat is described as the pet of Grýla and the Yule Lads. What a charming family.

Festive Fact: This item is a recent acquisition from Dale Steffey Books, an antiquarian bookseller based right here in Bloomington, Indiana!

Some of the oldest winter celebrations can be traced to early Germanic pagan communities. Long before Yule became associated with Christmas, it was an ancient midwinter festival lasting thirteen days and centered around the winter solstice (Cleasby and Vigfússon 326). The word “Yule” derives from the Old Norse jól, meaning “play,” “joke,” or “feast.” The Norse god Odin, chief of the gods in Germanic tradition, was sometimes called “Jólnir,” or “The Yule one,” and midwinter fell in a month known as “Jólmánuðr” (Old Norse: “Yule month”) (326).

Yule was marked by feasting, bonfires, and storytelling, as well as the arrival of ghosts and monsters. In Norse tradition, supernatural beings grew stronger as the nights lengthened, reaching the peak of their strength on the winter solstice, Yule, the shortest day of the year (326). In Icelandic folklore, some of the most memorable of these beings are the “jólasveinar,” or Yule lads: thirteen mischievous, goblin-like figures. In the thirteen days leading up to Yule, the Yule lads descend from the mountains one by one, each causing acts of mischief ranging from harassing sheep to kidnapping naughty children. They are said to be the sons of Grýla, a fearsome troll-woman or ogress notorious for kidnapping and eating misbehaving children (326).

Today, Yule continues to be observed as its own distinct holiday outside of Christianity in traditions such as Neopaganism, Wicca, Heathenry, and Neo-Druidism. Modern celebrations of this ancient festival include ceremonial gatherings, feasting, gift-giving, and ritual practices. Some of these are drawn from ancient Germanic traditions, while others have been adapted or borrowed from elsewhere. How Yule is understood and observed varies widely among communities.

In Wicca, Yule is a sabbat that falls on the winter solstice that commemorates the rebirth of the Horned God, the male consort of the female Triple Goddess, as the returning sun. These Wiccan ceremonies can be performed alone or within covens. In Neo-Druidism, Yule is known as Alban Athan, and is observed through gathering evergreen plants such as mistletoe and holly, lighting bonfires, offering sacrifices, and bringing trees into the home as decoration (Sansom 28-36).

Tree worship was common among many ancient European pagan cultures, where evergreen branches were used to decorate buildings at the end of the year to deter dark spirits (Britannica). This custom endured through the widespread conversion to Christianity and reemerged in the form of the Yule Tree in regions such as northern Germany. There, evergreen trees were brought into homes in midwinter and decorated with fruits, nuts, and handmade ornaments. This ancient tradition, along with the druidic practice of gathering mistletoe for the winter solstice, helped to shape several customs that later became associated with the modern Christmas season.

Engraved illustration of Stonehenge, depicting people dancing within the stone circle. A castle overlooks the site in the distance.
This engraving of Stonehenge appears in Britannia, sive florentissimorum Regnorum Angliae, Scotiae, Hiberniae, et insularum adiacentium ex intima antiquitate by William Camden, published in London by George Bishop in 1600 (DA610 .C16 1600). The megalithic structure of Stonehenge was constructed by ancient European peoples between roughly 3100 and 1600 BCE. It has become an important site of gathering and worship among Neo-Druids and modern pagans.

Each year, people gather at Stonehenge for solstices and equinoxes, key solar events and “spokes” on the Wiccan and Druidic Wheel of the Year. Astonishingly, Stonehenge was constructed with precise astronomical alignments in mind. The standing stones align with the sunrise on the summer solstice (known in Wicca as Litha and in Neo-Druidry as Alban Hefin) and the sunset on the winter solstice (celebrated as Yule in Wicca and Alban Arthan in Neo-Druidry).

Festive Fact: The first documented use of Stonehenge by Neo-Druids took place in 1905, when the Ancient Order of Druids held a mass initiation ceremony at the site.

December 24th: Christmas Eve and the Yule Cat (Jólaköttur)

Hand-painted watercolor illustration of a giant, grayish black cat sitting beside a cottage in a snowy scene.
This watercolor illustration of the Yule Cat was painted by Natisha Lavender, Stacks Manager of the Lilly Library. Note the Yule Cat’s enormous size and then remember that it is the house pet of the Christmas Witch, Grýla!

In many parts of the world, December 24 is celebrated as Christmas Eve, the night before the birth of Jesus of Nazareth, and, in popular tradition, the night when Santa Claus travels the globe in his magical sleigh to deliver gifts to well-behaved children and coal to the naughty.

In Icelandic folklore, however, another visitor may appear on this night. Far larger than any house, this visitor prowls the wilderness seeking to sink its claws into anyone unlucky enough not to have received new clothes before Christmas Eve. With claws at the ready, this is the Yule Cat (Jólakötturinn)!

A more recent supernatural entity associated with the Christmas season and the Yule lads is the Jólaköttur, also known as the Yule Cat or Christmas Cat. First appearing in Jón Árnason’s Íslenzkar þjóðsögur og æfintýri, a 1862 collection of folklore, the Yule Cat is described as a massive feline beast that wanders the snowy countryside during the Yuletide season (Alan Ross 1-2). According to tradition, the Yule Cat devours anyone who has not received new clothes to wear on Christmas Eve.

This legend, which likely grew out of older stories surrounding the Yule Lads, encouraged children and adults alike to earn new clothing before Christmas Eve to avoid becoming the Yule Cat’s dinner. Despite its fearsome legend, the Yule Cat is a beloved seasonal symbol in Iceland. In 2018, the city of Reykjavík erected a sixteen-foot-tall iron sculpture of the Yule Cat to mark the holiday season.

December 25th – January 5th: Christmas, Twelfth Night, and the Mari Lwyd

In southern Wales and east Kent, between Christmas Day and Twelfth Night (also known as Epiphany Eve, a decidedly un-Santa Claus-like figure may make an appearance. Known as the Mari Lwyd, this folkloric visitor takes its name from several possible sources, variously translated as “Grey Death,” “Grey Mare,” or “Grey Mary” (likely referencing the Virgin Mary). In other parts of Wales, the figure is known as the Wassail, the Canvas Horse, or simply the Horse (Hole 124).

Performers honoring this ancient tradition build the Mari Lwyd out of a horse’s skull, which is often authentic. They decorate it with colorful ribbons and drape it in a long white sheet. Two black pieces of cloth are attached to suggest ears, while a spring fitted into the lower jaw allows the mouth to snap open and shut. The hollow eye sockets are typically filled with bottle glass. In East Kent, the skull may be outfitted with iron nails for teeth and a lit candle placed inside the mouth, creating an unsettling, glowing grin (Hole 101).

To complete the disguise, a performer supports the skull on a pole and hides beneath the sheet, leaving only their feet visible. The skull is fitted with jingling reins, and a small group of attendants leads the Mari Lwyd from house to house, where its arrival is anticipated and feared in equal measure.

Illustration of a frightening figure dressed in a horse-skull mask and robes scaring a young woman.
This illustration shows the Mari Lwyd frightening a young woman. It comes from Christina Hole’s British Folk Customs, published in London by Hutchinson in 1976 (GT4843 .H64 1976). Although the Mari Lwyd is most closely associated with midwinter and the Twelve Days of Christmas, related horse-skull figures also appear at other points in the ritual calendar.
One such variant is found in the Hodening, in which a similar horse-skull figure appears during Allhallowtide, including Halloween (All Hallows’ Eve). In Cheshire, the “Hodening Horse” traditionally accompanies soulers, costumed acting troupes, on All Souls’ Day, prancing and rearing as part of the performance (Hole 101). Notably, while the Mari Lwyd is often understood to have roots in ancient pagan traditions, it was later absorbed into Christian seasonal celebrations, illustrating the blending of older folk practices with the Christian calendar.
Pictorial illustration of a Mari Lwyd party, composed of a person in a horse-skull mask and white sheet being escorted by a group of men.
This pictorial illustration shows the Mari Lwyd and its attendants and comes from Christmas by William Sansom, published in London by Weidenfeld & Nicolson in 1968 (GT4985 .S229 1968). Traditionally, each attendant had a named role and a specific task upon entering a home. “Merryman” played the fiddle and engaged in antics, while “Judy” swept the heart and chased “Punch,” whose role was to flirt enthusiastically with any young women present (Hole 125).
Over time, the Mari Lwyd custom has declined in both popularity and complexity. Today, attendants typically do not wear elaborate costumes, and their roles are not as clearly defined as they once were. Yet the Mari Lwyd itself remains largely unchanged. Look closely: the horse’s skull can be glimpsed beside the top hat of one of the image’s central figures.

There are typically five or six attendants, usually played by men and children. They often wear colored ribbons and may also don a wide sash or face paint. The group’s leader holds the Mari Lwyd’s reins and uses a short wooden stick to knock on the doors of homes (Hole 124-125). When the door is opened, the troupe launches into a lively exchange of traditional and improvised rhymes and songs with the householders until they are invited inside, bringing with them both good luck and chaos.

Once admitted into the home, the Mari Lwyd charges around the room, clacking its skeletal jaws and nipping at onlookers, especially women, while the leader theatrically attempts to restrain it with the reins, calling out, “Whoa there, whoa!” After refreshments are shared with the troupe, the group departs, singing a Welsh farewell verse:

Farewell, gentle folk,

We have been made welcome.

God’s blessing be upon your house,

And Upon all who dwell there.

The Mari Lwyd was once understood as a bringer of fertility during the barrenness of winter. Although this interpretation has shifted over time, the figure remains closely associated with prosperity and communal joy (Hole 125).  

December 26 – January 1: Kwanzaa

Kwanzaa is a secular holiday observed within African American communities from December 26 through January 1. It celebrates African heritage, ancestry, and cultural history. Founded in 1966 by Maulana Ndabezitha Karenga, Kwanzaa draws inspiration from African harvest festivals, particularly the Zulu Umkhosi Wokweshwama (“first fruits festival”) of Southern Africa, which is observed around the December solstice. The name Kwanzaa comes from the Swahili phrase matunda ya kwanza, meaning “first fruits of the harvest” (Hartman). Karenga chose Swahili because of its widespread use across Africa.

Each of the seven days of Kwanzaa honors one of the Nguzo Saba, or Seven Principles: Umoja (unity), Kujichagulia (self-determination), Ujima (collective work and responsibility), Ujamaa (cooperative economics), Nia (purpose), Kuumba (creativity), and Imani (faith). As in Hanukkah, a candle is lit each day during the celebration. The candles are placed in a seven-branched candleholder called a kinara and are known collectively as the mishumaa saba. The set includes three green candles on the left, three red candles on the right, and one black candle in the center (Hartman).

The kinara (Swahili for “candleholder”) rests on a mkeka, a ceremonial mat made of cloth or straw that symbolizes the foundation upon which communities are built. The central black candle, representing Umoja, is lit first and then used to light the remaining candles from left to right on subsequent days (Hartman).

Front cover of Spirit of the Season by Donna Hill, Francis Ray, Margie Walker, depicting a young African American couple by a fireplace.
This image shows the front cover of Spirit of the Season: Three Contemporary Tales of Love for the Holidays by Donna Hill, Francis Ray, and Margie Walker, published in New York by Pinnacle Books in 1994 (PS3558.I389 S65 1994). This volume marks the first printing of the first year of Arabesque, the first line by a major publisher dedicated to black romances, and written by black authors.

One of the three seasonal stories in the Spirit of the Seasonanthology is “Harvest the Fruits” by Margie Walker, a romance set during the celebration of Kwanzaa.

Traditional Kwanzaa Greeting:

“Habari gani?”

Translation from Swahili: “What’s the news?”


Corresponding to the seven days of Kwanzaa and its seven principles are seven symbolic objects. Three of these—the kinara (candleholder), the mishumaa saba (seven candles), and the mkeka (ceremonial mat)—have already been introduced. Additional symbols placed on the mkeka include mazao, or fruits, vegetables, and nuts celebrating the bounty of the harvest; vibunzi, ears of corn symbolizing children and the future of the Black community; and zawadi, educational or cultural gifts given to children on the final day of Kwanzaa.

The final symbol is the kikombe cha umoja, or unity cup, which is often passed among participants before being placed on the mkeka. As the cup is shared, participants recite the word harambee, Swahili for “let’s pull together.” This affirms the importance of unity and collective responsibility.

On December 31, families and communities gather for a communal feast known as Karamu. Traditional African dishes are served, often using ingredients introduced to the United States by Africans, such as sesame seeds (benne), peanuts, sweet potatoes, and collard greens. Both the Karamu and Kwanzaa more broadly make use of a ceremonial color palette: green, symbolizing the fertile land of Africa; black, representing the people; and red, signifying the blood shed in the struggle for freedom (Hartman).  

In Conclusion

Considered together, these winter holidays and figures reveal how deeply ancient traditions continue to shape modern celebrations. Across cultures and centuries, people have turned to light in the darkest days of the year, marking time with rituals that honor renewal, memory, and community. Pagan solstice observances, saints’ feast days, folkloric visitors, and more familiar modern celebrations all draw on older ways of understanding the rhythm of both nature and human life. What endures today is not any single custom, but the drive behind these traditions: to gather together, to tell stories, to impart values, and to create community. In tracing these customs through the collections of the Lilly Library, we can appreciate how the past continues to illuminate the present.

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About the Author:

Jake H. Gentry is a 26-year-old gay author, artist, and graduate student. He received his Master of Library Science with a specialization in Rare Books and Manuscripts at Indiana University Bloomington, where he is now also pursuing his MA in Curatorship. He is a curatorial assistant at the Lilly Library. Born and raised in southern Appalachia, he now lives in Bloomington, Indiana, with his partner and his two cats, Poe and Jiji.

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