Halloween Countdown: 13 Spooky Treasures of the Lilly Library, Part 1

To celebrate Halloween, we’ll be counting down thirteen of the weirdest, creepiest, and most unusual items found in the depths of the Lilly Library’s collections. Among the most beautiful and hallowed books treasured by collectors throughout generations, we’ve accumulated some objects that also excite the dark side of our imagination… and what better time to revel in the dark, strange, and fantastic than Halloween? We’ll be posting all thirteen here on our blog, but you can also follow us on Twitter @IULillyLibrary to see more images of these spooky treasures.

Number 13: “Awful Murder and Mutilation of a Woman, in Whitechapel” (ca. 1875).

 Believe it or not, this pamphlet is not about Jack the Ripper. The Ripper didn’t stalk the alleys of Whitechapel until 1888, fourteen years after this was published. This pamphlet describes a murder that was, in its time, as famous as those of the Ripper. Henry Wainwright was a bankrupt owner of a brushmaking business who murdered his mistress Harriet Lane. Wainwright had been living for over three years as both himself–with a wife and five children–and also as “Mr Percy King,” an alias he used for his life with his mistress who he “married” in 1871. When he lost his business and could no longer sustain his double life, he shot Harriet, dismembered her, and attempted to dissolve her body in chloride of lime.

Wainwright’s crime might never have been discovered if it weren’t for his former employee Alfred Stokes. A year after the murder, Wainwright asked Stokes to help him move some parcels from his warehouse. Stokes smelled a foul odor seeping from one of the packages, and, suspecting that Wainwright was stealing the human hair used in brushmaking, opened it. He found not hair but a human hand. He quickly covered it up and allowed Wainwright to get into his cab and leave. Stokes ran at a discreet distance behind the cab until he found a police officer willing to listen to his tale–which took several tries. When they opened the parcels, they found human remains and arrested Wainwright and his new lady companion, the dancer Alice Day. At the brushmaking warehouse, police found an open grave filled with chloride of lime, a hammer, a chopper, and a spade. They arrested Wainwright, along with his brother Thomas and mistress Alice Day as accessories. The arrest and trial filled the penny papers and scandal sheets for months. Victorians loved nothing so much as a good murder, and they followed the story with avid interest. The story had many elements that made it exciting–the double life of Wainwright and Harriet, his new mistress, the beautiful dancer Alice Day, and the dramatic nature of the crime’s discovery, including Alfred Stokes’ heroic jog after a murderer in a cab. This pamphlet from the Lilly Library’s collection is a rare relic of that time… though perhaps we are not so different today in our interest in morbid scandals and hidden crimes. Henry Wainwright was sentenced to death and hanged on December 21, 1875.

This pamphlet–which tells the whole story of Wainwright’s crime, trial, and death–can be found in the Lilly Library’s London Lowlife Collection. See the inventory here: http://go.iu.edu/Jax or see the digitized collection here: http://go.iu.edu/Jay (IU affliated users only).

Number 12: Theodore Dreiser’s death mask (1945)

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There’s no question that death masks are creepy–they are wax or plaster casts of a person’s face made after they are deceased. The practice dates back to the middle ages and continued into the 20th century. Death masks served many purposes; in the 18th and 19th centuries, they were used to record the features of unknown corpses for later identification. More commonly, they were used as the basis for portraits or simply as a reminder of a beloved friend or relative.

The Lilly Library has several death masks in its collections, including Frederick Tennyson (Alfred, Lord Tennyson’s brother) and Clifford Odets. We also have a life mask (made while the subject is still living) of Abraham Lincoln. We chose to feature Dreiser because of his gloomy visage and reputation in life for being a rather nasty fellow. Along with the mask, the Lilly Library holds manuscript drafts of Dreiser’s Dawn: An Autobiography of Early Youth, a memoir of his difficult childhood and adolescence in Indiana, written from 1912-1915 but ultimately suppressed by the author, who came to have misgivings about the blunt quality of the work, especially his own depiction of teen sexuality. Learn more about the Dreiser papers here: http://go.iu.edu/JaH

 

Number 11: Photograph of Lizzie Borden (ca. 1889)

pearson-ii_00002Perhaps you’ve heard this charming rhyme:

Lizzie Borden took an ax / And gave her mother forty whacks. / When she saw what she had done, /She gave her father forty-one.

Most of us have heard the story of Lizzie Borden at one time or another–it is one of America’s most famous unsolved murder cases. In 1892 in Fall River, Massachusetts, Andrew and Abby Borden–the father and stepmother of 32-year-old Lizzie–were brutally murdered. Actually, Abby was given 19 “whacks” and Andrew 11–one of which split his eyeball clean in half. Lizzie was acquitted after a huge public trial, the circumstantial evidence (a burned dress and hatchet) dismissed. Ever since then, people have wondered if Lizzie really did it. This photograph of Lizzie comes from the papers of Edmund Lester Pearson, a librarian who wrote several volumes of true crime in the early 20th century. He was fascinated by the Bordon case and collected this photograph, along with a letter, of Lizzie. The photo was taken around 1889, several years before the murder. Learn about Pearson’s papers here: http://go.iu.edu/JaJ or his books here: http://go.iu.edu/JaK

Stay tuned the next installment of Spooky Treasures on October 19th and be sure to follow us on Twitter @IULillyLibrary to see more images of these spooktacular items.

 

 

Rebecca Baumann

Education and Outreach Librarian / Resident Ghoul

Celebrating Banned Books Week

rg136-k73-1833_00002Banned Books Week 2015 (September 27–October 3) is sponsored by the American Library Association (ALA) Office for Intellectual Freedom (OIF) to “promote awareness of challenges to library materials and celebrate freedom of speech.”

ALA promotes your freedom to choose any material to read as well as the freedom for authors to express their opinions even if that opinion might be considered unpopular.

Libraries and schools around the country face attempts to remove or restrict materials, based on the objections of a group or sometimes a single person; this attempt to restrict is considered a challenge. Materials that are removed from reading lists and bookshelves are considered banned.

“Challenges do not simply involve a person expressing a point of view; rather, they are an attempt to remove material from the curriculum or library, thereby restricting the access of others. As such, they are a threat to freedom of speech and choice.” (ALA website)

Books have been subject to censorship for centuries, and the Lilly Library has many books that were considered sensational, scandalous, or vulgar at some point in history.

One such controversial book is The Fruits of Philosophy, or the Private Companion of Young Married People by Charles Knowlton. It is a miniature book published in 1832 about birth control. The text contained a summary of what was then known on conception, listed a number of methods to treat infertility and impotence, and explained birth control in plain language and without moral judgements. The monograph was printed small–81 millimeters to be exact–so that it could easily be hidden by the patients to whom Dr. Knowlton gave it.

Knowlton was prosecuted, fined, and later (after a second edition was more widely circulated) imprisoned for three months hard labor for publishing the book. In the UK, social reformers Charles Bradlaugh and Annie Besant were also prosecuted for publishing and distributing the book. The publicity from these trials only increased the popularity of the little volume, and it is credited by scholars for popularizing contraception in Great Britain and America.

The Lilly Library’s copy of The Fruits of Philosophy comes from the library of miniature book collector Ruth Adomeit, whose over 16,000 tiny volumes are now housed among the Lilly Library’s collections. The case in which she stored it is wrapped with baby-themed wrapping paper—a somewhat cheeky housing for a book that once sent men and women to prison.

Modern books are still being challenged. The Lilly Library has copies of these controversial titles–and many more:

  • Slaughterhouse-Five by Kurt Vonnegut
    • Considered “anti-American, anti-Christian, anti-Semitic and just plain filthy.”
  • Bridge to Terabithia by Katherine Paterson
    • “Lord” and “Oh Lord” used as expletive
  • To Kill a Mockingbrid by Harper Lee
    • Portrays racial inequality, rape, has objectionable language
  • Adventures of Huckelberry Finn by Mark Twain
    • Racially offensive, uses “coarse” vernacular language
  • The Catcher in the Rye by J.D. Salinger
    • Portrays alcohol/cigarettes, has sexual content, uses vulgar language
  • Harry Potter series by J.K. Rowling
    • Portrays magic and witchcraft

For more information about Banned Books Week visit www.ala.org/bbooks/.

Kelsey Emmons
Graduate Student in Library Science; Lilly Library Public Services Intern

Happy Birthday, Bilbo Baggins!

 September 22nd is Hobbit Day! Hobbit Day, first proclaimed by the American Tolkien Society in 1978, marks the birthday of Bilbo and Frodo Baggins, characters from J. R. R. Tolkien’s books The Hobbit and The Lord of the Rings. In Tolkien’s lore, Bilbo was born in the year 2890 and Frodo in the year 2968 of the Third Age.

When did “hobbit” become a word? According to the Oxford English Dictionary, in 1710 “hobbit” was a variant spelling of the word “howitz” or “howitzer,” which was a piece of artillery. The first instance of the word “hobbit” meaning creature appeared in an English folklorist’s collection of pamphlets called the “Denham Tracts: A Classified Catalogue of Antiquarian Tomes, Tracts, and Trifles.” The pamphlet containing “hobbit”  was printed in 1853 and is titled: “To all and singular The Ghosts, Hobgoblins, and Phantasms of the United Kingdom of Great Britain and Ireland, these brief pages are fearlessly inscribed, in utter defiance of their power and influence, by their very humble servante to com’aund, M. A. D.” Some scholars theorize that hobbit could be a derivative of the word hobgoblin. Tolkien certainly would have had access to this pamphlet at Oxford University. In Middle-Earth, however, hobbits are hole-dwelling, easy-going people who are shorter than men, have hairier feet, and are the only species in Middle Earth humble enough for the wizard Gandalf to entrust with the task of carrying the One Ring to its annihilation.

Tolkien first published The Hobbit, or There and Back Again in England on September 21, 1937. The first edition has light green covers stamped in dark blue. Smaug, the dragon of the fantasy novel, can be seen lurking in the cover’s corners. Tolkien, a philologist and creator of languages, actually wrote the runic inscription around the edges of the dustjacket. Translated it reads: “The Hobbit or There and Back Again being the record of a year’s journey made by Bilbo Baggins of Hobbiton compiled from his memoirs by J. R. R. Tolkien and published by George Allen and Unwin Ltd.”

The Lilly Library’s first edition of The Hobbit can be seen until September 26th in the Main Gallery as part of the “One Hundred Books Famous in Children’s Literature” exhibition. Hurry! You only have a few days left!

References:
“howitz, n.” OED Online. Oxford University Press, September 2015. Web. 16 September 2015.
“hobbit, n.” OED Online. Oxford University Press, September 2015. Web. 16 September 2015.
Gilliver, Peter, and Jeremy Marshall. The Ring of Words: Tolkien and the Oxford English Dictionary. Oxford: Oxford UP, 2006. Print.
Hammond, Wayne G., and Douglas A. Anderson. J.R.R. Tolkien: A Descriptive Bibliography. Winchester, UK: St. Paul’s Bibliographies, 1993. Print.

 

Kelsey Emmons

Graduate Student in Library Science and Lilly Library Public Services Intern

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New Exhibition: Death by Gimmick!!! The Weird Side of Detective Fiction

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On display in the Lincoln Room this summer is a new exhibition, “Death By Gimmick!!! The Weird Side of Detective Fiction.”

Detective fiction by its very nature abounds with (or, some may argue, is plagued by) gimmicks. From the locked room to the twist ending to the eccentric detective, all aspects of this genre–plot, setting, and character—hinge on tricks, ploys, and clever strategies designed to fool, confound, frustrate, charm, and enchant devoted readers who are always looking for increasingly ingenious ways of thwarting their expectations.

Some authors, however, have gone beyond the normal shenanigans of the genre to create gimmicks that push their fiction into the territory of the bizarre. This summer, the Lilly Library pays tribute to some of the genre’s odder authors and also to the publishing houses that deployed truly ingenious marketing strategies to make their detective fiction all the more puzzling and appealing to readers for whom tricks are true treats.

Case #1 present a gamut of gimmicks, including Edgar Wallace’s 1905 novel The Four Just Men, which Wallace published without a solution and offered a huge prize (£250) to the reader with the correct solution; unfortunately, he forgot to specify that only one reader would win the prize, leaving many would-be sleuths disappointed. Also included are Dennis Wheatley’s innovative “Crime Dossiers,” in which the reader is presented with all of the evidence that a team of investigating detectives would need to solve a crime. Print material includes cablegrams, transcripts of interviews, handwritten letters, photographs, and newspaper clippings. Also included are bits of physical evidence: hair, cigarette butts, a fragment of a bloodstained curtain, and “poison” pills. After carefully considering all the clues, the reader is invited to tear open the sealed solution to see if he or she has solved the case.

Case #2 celebrates the work of Harry Stephen Keeler, the strangest writer of detective fiction ever to have lived. He created a gimmicky writing style that is almost unique in literature that he dubbed the “webwork plot.” He takes different “strands” (characters, objects, and events) that have nothing to do with each other and weaves them into a web of outrageous coincidences and odd events that end in a surprising and utterly implausible denouement. Keeler was born and raised in Chicago, and most of his novels are set there. His version of Chicago, “the London of the West,” is brimming with eccentrics, freaks, murderers, madmen, and thieves. Within the pages of his books readers can meet such characters as Luke McKraken (a yeggman, or safecracker), Sophie Kratzenschneiderwümpel (a husband-baiting temptress), Legga the Human Spider, Simon Grundt (the mentally handicapped janitor-turned-detective), Wah Hung Fung (Chinese mafia boss and rare book collector), André Marceau (known midget-hater), and Screamo the Clown (a dead clown).

Cases #3 and 4 display some of the gimmicks that paperback publishers of the 1930s and 40s used to make books more appealing to consumers. These cases show off Ace Doubles and Dell Mapbacks newly-acquired by the Lilly Library. Ace Doubles offer the readers two novels in one; read one (such as Weep for a Wanton), flip it over and read another (such as Dally with a Deadly Doll). Dell Mapbacks featured a map of a key location from the story on the back cover—the scene of the crime, an English Manor, or a small town with a terrible secret.

Most fans of detective fiction are drawn to the genre for a peculiarly paradoxical pleasure. On the one hand, the detective story is very familiar—the format, rules, character types, and plot points have changed little since the days of Sherlock Holmes; however, the mystery reader is always also craving something new, different, and strange. This exhibition showcases authors and publishers who successful captured the fleeting tension between familiarity and innovation that makes gimmicky detective fiction so much fun.

Curated by Rebecca Baumann, Education & Outreach Librarian

 

Christoph Irmscher on recovering Birds of America printer

Audubon volume IV-402On the occasion of the first Rare Book School course to be taught at Indiana University, the Lilly Library invites you to a public lecture by IU Provost Professor Christoph Irmscher.

“Recovering Havell: A New Look at Birds of America

While we are used to referring to the magnificent Birds of America (1827-1838) as Audubon’s work, it is really also that of his printer, Robert Havell, Jr. His contribution to the finished product has been marginalized by generations of devoted Audubon admirers. This talk is a first attempt to recover Havell’s impact on individual plates (which ranged from supplying backgrounds to adding in entire specimens) as well as on the work as a whole. One underlying theme of these reflections will be the extent to which an Englishman who had never seen the United States shaped a work usually defined as quintessentially “American.”

Audubon scholar and IU Professor Christoph Irmscher will speak in the Lilly Library Slocum Room at 5:30 pm on May 12. A reception will follow the talk.

A Rare Book School Lecture sponsored by the Friends of the Lilly Library.

Songs fit for the son of a Prime Minister

In November 1901, Herbert John Gladstone was presented with Universal Harmony, or The Gentleman and Ladie’s Social Companion, a collection of songs printed in London by J. Newbery in 1745. The book is inscribed “From the Directors & Secretary of the Bath Clubs log. To the Right Hon. Herbert J. Gladstone M.P. their Chairman, on the occasion of his marriage with best wishes for long life & happiness November 1901.” One hundred and thirteen years to the month, the same book found its way to the Lilly Library.

Front cover of Universal Harmony, 1745.
Front cover of Universal Harmony, 1745.
Engraved title page.
Engraved title page.

The engraved title page reads Universal Harmony, or, The Gentleman & Ladie’s Social Companion, consisting of a great Variety of the Best & most Favourite English & Scots Songs, Cantatas &c. &c., With a Curious Design, By way of headpiece, Expressive of the sense of each particular Song, All neatly Engraved on quarto Copper Plates, And set to Music for the Voice, Violin, Hautboy, German & Common Flute, with a Thorough Base for the Organ, harpsichord, spinet, &c. By the Best Masters, The whole calculated to keep People in good Spirits, good health, & good humour, to promote Social Friendship in all Companys and Universal Harmony in every Neighborhood.

Herbert Gladstone was the youngest son of Prime Minister William Ewart Gladstone. He was a political figure who served as Home Secretary, as well as Governor-General of the Union of South Africa. A dedicated athlete, Gladstone served as the chairman of the Bath Club and the president of the Physical Recreation Society. Perhaps a lesser-known fact is that he was a musician and glee singer, supporting and serving on the council of the Royal College of Music. An 18th century book of songs meant to “keep people in good spirits, good health, & good humour” would have been quite the appropriate wedding gift for Gladstone. Every page is beautifully engraved on copper quarto plates and printed only on the recto side of the page. Many of the pages include an engraved headpiece that represents the song shown beneath it, such as the two plates pictured below.

Plate 49 The Hunting Song in Apollo and Daphne.
Plate 49 The Hunting Song in Apollo and Daphne.
Plate 61 Old Chiron’s Advice to Achilles.

Plate 61 Old Chiron’s Advice to Achilles.

The book is elegantly bound by W. Pratt and contains 129 engraved plates of music, along with an index of songs listed alphabetically. Many of the individuals who set the lyrics to music are listed with the song. Parts for flute are sometimes present, as seen above in The Hunting Song in Apollo and Daphne and below in The Power of Musick and Beauty. The illustrations are filled with little details; the woman in the illustration for The Power of Musick and Beauty is singing from a book of music, while the man and dog are pictured listening attentively. As the lyrics go, “Musick enchants the list’ning Ear, And Beauty charms the Eye.”

Plate 9 The Power of Musick and Beauty.
Plate 9 The Power of Musick and Beauty.

To see the full record for Universal Harmony, visit IUCAT. Call Number: M1613.3.U55 1745

Reference: H. C. G. Matthew, ‘Gladstone, Herbert John, Viscount Gladstone (1854–1930)’, Oxford Dictionary of National Biography, Oxford University Press, 2004; online edn, Sept 2010 [http://www.oxforddnb.com/view/article/33417, accessed 1 Dec 2014]

Photography by Zach Downey.

Calendrier Magique Featured on Slate Vault

bf1532-c76_00034The Lilly Library’s copy of a rare 19th-century Parisian occult calendar is featured today on Slate.com’s history blog, The Vault. The book, with text by Austin de Croze and colored lithographs by Manuel Orazi, was produced in a limited run of 777 copies (777 being considered a sacred number in occultist practice). The Lilly’s copy is one of an unknown number of even rarer presentation copies, with numerous manuscript annotations and an inscription from the author.  The beautiful and darkly ornate imagery recalls the vogue of Satanism amid the decadence of fin de siècle Paris.

You can view the full Slate article here: http://www.slate.com/blogs/the_vault/2014/08/29/history_of_the_occult_magic_calendar_by_austin_de_croze_and_manuel_orazi.html

The calendar will be on display in the Lilly’s summer exhibition through August 30th, after which it can be viewed in its full glory in the Lilly Library’s Reading Room.

Fantastic Fairy Tales: From the Archives to the Classroom

An early 19th-century chapbook of Cinderella with hand-colored engraved illustrations.  Students were particularly interested in the ways that illustrations of Cinderella reflected changing fashions and standards of female beauty over time.
An early 19th-century chapbook of Cinderella with hand-colored engraved illustrations. Students were particularly interested in the ways that illustrations of Cinderella reflected changing fashions and standards of female beauty over time.

The Lilly Library Public Services Department conducts over 200 class sessions a year for diverse audiences, from elementary school children to retirees. Many class sessions for IU undergraduates focus on introducing students to primary sources and archival research. This summer, Laura Clapper, an Associate Instructor and PhD candidate in the Department of English, brought the students from her Introduction to Fiction class for a session to compare different versions of classic fairy tales.

Students had a class session at the library in which they learned about the history of publishing children’s literature and examined historical examples from the 18th through 20th centuries of the stories “Cinderella,” “Bluebeard,” and “Jack the Giant Killer.”  Students noted differences as the stories were published over time.  They examined not only changes in the plot and moral of the story but also differences in illustrations and the physical attributes of the books themselves, taking into consideration how the stories might be presented and marketed for different historical audiences.

After examining these fairy tales in the Lilly’s Reading Room, students completed projects in which they imagined themselves as library curators and created exhibitions for adults and children based on their research and presented them to their peers in class.  Creative responses ranged from colorful posters to an interactive digital walkthrough, and students made insightful deductions about how and why these tales have changed over time.

If you would like to schedule a class session at the Lilly Library, please fill out our online form (https://blogs.libraries.indiana.edu/lilly//form.php) or contact the Public Services Department at liblilly@indiana.edu or 812-855-2452.

Rebecca Baumann, Reference Associate

In this 1954 comic book retelling, Cinderella's stepmother and stepsisters are vampires.  Cinderella steals a magic book and helps herself rather than relying on a fairy godmother.  Students thought that the shocking twist ending (spoiler alert: the prince is a vampire too!) was to die for.
In this 1954 comic book retelling, Cinderella’s stepmother and stepsisters are vampires. Cinderella steals a magic book and helps herself rather than relying on a fairy godmother. Students thought that the shocking twist ending (spoiler alert: the prince is a vampire too!) was to die for.

The Little Prince home from Morgan Library exhibition

You may have seen some of the great press that the Morgan Library and Museum received for its exhibition The Little Prince: A New York Story. We at the Lilly Library were delighted to see the Lilly’s contribution to the exhibition highlighted in an interview with Curator Christine Nelson in the Morgan newsletter, pictured below.

The script Orson Welles wrote for the never-produced film version of The Little Prince is now back home at the Lilly Library. If you are interested in seeing the script for yourself, stop by the Lilly Library. It just takes a few minutes to register. Then ask to see Welles mss., Box 20, folders 23-27.

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Lilly Library Catches that Catch Can from 1652

The Lilly Library recently acquired a lovely English book of music titled Catch that Catch Can, or A Choice Collection of Catches, Rovnds, & Canons for 3 or 4 Voyces. Printed in London by John Hilton for John Benson and John Playford in 1652, the book remains in its original, speckled calf, oblong boards. There are 144 songs by several composers, including William Lawes, Henry Lawes, and John Hilton. Catches appear as early as 1580 in English manuscript, while catches and rounds first appeared in print in 1609 with a collection published in London by Thomas Ravenscroft. Hilton’s Catch that Catch Can is considered an important later collection (Grove).

Catches are humorous songs that were usually written for three or four voices; drinking and women dominate as the main subjects of the lyrics. This is demonstrated in the lyrics by William Lawes on page 37 of Hilton’s book: “Let’s cast away care, and merrily sing, there is a time for every thing: he that / plays at his work, or works in his play neither keep working, nor yet Holy – day: / set businesse aside, and let us be merry, and drown our dry thoughts in Canary and Sherry.” Rounds were also particularly popular in late 16th and 17th century England among men for “convivial social gatherings.” While the social class of men who sang catches and rounds has not been determined, it is thought that their popularity “spread to lower social groups during the reign of James I” (Grove).

Sources:
– Day, Cyrus Lawrence and Eleanore Boswell Murrie. English Song-Books 1651-1702, A Bibliography. London: Printed for the Bibliographical Society at the University Press, Oxford, 1940.
– The New Grove Dictionary of Music and Musicians. 2rd ed. Ed. Stanley Sadie. Vol. V. New York: Macmillan Publishers Limited, 2001, 2002. Print.

Images: (1) The engraved title page. (2) Tenor and bass parts of Now we are met lets merry, merry bee by Mr. Symon Ives (p 95).

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Photography by: Zachary Downey