The British Academy of Film and Television Arts (BAFTA) is a charity that supports and promotes the art forms of moving images. This includes film, television and video games. Originally the British Film Academy and the Guild of Television Producers and Directors were two separate organizations that had their own awards shows. In 1958 they merged and eventually became the British Academy of Film and Television Arts. Now they have several award ceremonies throughout the year known as the BAFTAs. The awards series includes:
Television Craft Awards (this is the behind the scenes awards visual effects, costuming production, music)
Right now I want to talk about The British Academy Television Awards, since they are happening this Sunday.
The Oscars are a behemoth. For 85 years, the Academy of Motion Picture Arts and Sciences has been awarding honors to the outstanding (mostly American, largely anglophone) films of each year, and in so doing have created a sort of canon (a strange canon, admittedly; where are Badlands, Do the Right Thing, and Paris, Texas?). Engaging critically with any canon is important not only toward understanding the biases (and potential shortcomings) of a list and its originating institution, but also toward a larger project of recognizing our cultural psyche. It’s too simple, of course, to suggest that the movies we create and experience directly reflect the “id” of our collective consciousness, but it is valuable to try and understand the ways in which its products reify the structural underpinnings of the sociocultural sphere.
In other words, how do the movies we celebrate reflect what we care about? What do this year’s films suggest are our larger concerns? Is it: anxiety about the digital sphere and the possibility of human connection therein? the persistence of white guilt and the problematics of race relations? lineage and generational tensions in how we narrate our lives? the tyranny of neoliberal capitalism, and its attendant psychosocial fatigue? all of the above? Obviously these are simplistic assessments of complex films and their themes, not to mention that there were many other films made outside of the insular Academy candidate pool, but these questions offer a starting point, if no easy answers, toward understanding our own patterns and anxieties.