Moving Image Collections & Archives Host 20th Annual African Film Festival, September 12-15, 2016

The 20th African Film Festival Traveling Series is sponsored by IU Libraries Media Services, Black Film Center/Archive, the African Studies program, The Media School’s Cinema and Media Arts program, the Department of African American and African Diaspora Studies, the Department of History, the Department of Comparative Literature, and the IU Cinema. Special thanks are due to Brian Graney of the Black Film Center/Archive and Alimah Boyd of the African Film Festival, Inc.

 

Head Gone (2014, Dir. Dare Fasasi)
Monday, September 12, 2016 | 7:00 p.m. | IU Cinema
Nigeria/Sweden, 111 min. In English & Pidgin with English subtitles. Introduction by Professor Akin Adesokan, Comparative Literature, and Cinema and Media Studies at the Media School.

Facebook Event:  https://www.facebook.com/events/1564260263876037/

Due to a road mishap, a bus driver loses a group of psychiatric patients on the way to a federal hospital. To cover up the mistake, he and a nurse pick up unsuspecting commuters to substitute the patients and the plot thickens as the new passengers must try to prove their sanity in a psychiatric institution, while the escapees try to adjust to a new environment. This allegorical comedy of errors features some of Nigeria’s biggest names.

Red Leaves (2014, Dir. Bazi Gete)
Tuesday, September 13, 2016 | 6:00 p.m. | IUB Library Moving Image Collections & Archives, BFC/A’s Phyllis Klotman Room (Wells 044B)
Israel, 80 min. In Hebrew and Amharic with English subtitles.

Meseganio Tadela, 74, immigrated to Israel from Ethiopia 28 years ago with his family. He has chosen to zealously retain his culture, talks very little, and hardly speaks Hebrew. After losing his wife, Meseganio sets out on a journey that leads him through his children’s homes. He comes to realize that he belongs to a rapidly disappearing class that believes in retaining Ethiopian culture. As this harsh reality begins to hit him, he struggles to survive according to his own rules.

Afripedia: Ghana (2014, Dir. by Teddy Goitom, Benjamin Taft and Senay Berhe)
Wednesday, September 14, 2016 | 6:00 p.m. | IUB Library Moving Image Collections & Archives, BFC/A’s Phyllis Klotman Room (Wells 044B)
Ghana/Kenya/Sweden, 28 min. In English.

The whispers among connoisseurs talk about Accra as the next big hotspot for African cultural production, and Afripedia: Ghana suggests they’re not wrong. Meet outspoken and androgynous music star Wiyaala, exciting trick-bikers whose BMX skills and flamboyant style have taken neighborhoods by storm. Visual artist Afrogallonism puts on extraordinary outdoor performances to highlight environmental issues.

Afripedia: Kenya (2014, Dir. by Teddy Goitom, Benjamin Taft and Senay Berhe)
Wednesday, September 14, 2016 | 6:30 p.m. | IUB Library Moving Image Collections & Archives, BFC/A’s Phyllis Klotman Room (Wells 044B)
Ghana/Kenya/Sweden, 28 min. In English.

Take an intimate look at Nairobi’s urban culture scene and its leading personalities and stars. Meet 3D-artist Andrew Kaggia, creator of a 3D-animated political short film, taking you to his futuristic vision of Nairobi and proving that disability is never inability. Afro-futuristic pop band and DIY-enthusiasts Just a Band redefine music videos, and visual artist Cyrus introduces us to his remarkable collection created solely with found materials.

The Longest Kiss /A jamais, pour toujours (2013, Dir. by Alexandra Sicotte-Lévesque)
Wednesday, September 14, 2016 | 7:00 p.m. | IUB Library Moving Image Collections & Archives, BFC/A’s Phyllis Klotman Room (Wells 044B)

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The meeting of the Blue and White Nile in Sudan’s capital, Khartoum, is referred to as ‘the longest kiss in history.’ As the Arab Spring was in full bloom, Sudan, straddling between the Middle East and Africa, was about to split in two. The film follows six young Sudanese searching for a place to call ‘home’ as their journeys take us up and down the Nile, between north and south Sudan, ahead of the south’s secession. Facing conflicting identities, youth in north Sudan grapple with a stale dictatorship while others in south Sudan hope to start over—but at what costs? For the first time a film gives a voice to Sudanese youth from different origins, Muslims and Christians. It is an intimate portrait of a complex society that bears witness to its inevitable fragmentation.

Cholo (2014, Dir. Muzna Almusafer)
Thursday, September 15, 2016 | 4:00 p.m. | IUB Library Moving Image Collections & Archives, BFC/A’s Phyllis Klotman Room (Wells 044B)
Oman, 21 min. In Swahili with English subtitles.

The dark-skinned, 11-year-old Cholo meets his fair-skinned younger stepbrother Abdullah for the first time when their father Said arrives in Muscat. Although strikingly different, the boys have great chemistry. Cholo is a young boy full of imagination and a great love for nature and life. However, jealousy, competitiveness, and curiosity arise between the two, as they go through a journey of self-discovery.

Panic Button (2014, Dir. Libby Dougherty)
Thursday, September 15, 2016 | 4:30 p.m. | IUB Moving Image Collections & Archives, BFC/A’s Phyllis Klotman Room (Wells 044B)
South Africa, 25 min. In English.

From the moment that Tshepo, a security guard, breaks through Jenny’s multi-locked door to save her, she feels as if she’s been swept off her feet. But as Jenny imagines herself falling in love with him, an unhealthy, delusional obsession begins to take shape.

The Prophecy (2015, Dir. by Marcia Juzga)
Thursday, September 15, 2016 | 5:00 p.m. | IUB Moving Image Collections & Archives, BFC/A’s Phyllis Klotman Room (Wells 044B)
Senegal, 20 min. In French & Wolof with English subtitles.

Concerned about the environmental issues that Senegal is facing, photographer Fabrice Monteiro, in collaboration with the designer “Jah Gal,” created The Prophecy. The objective of this photographic project is to raise global awareness of the environment by combining art, culture, fashion, and tradition. The essence of each site photographed is characterized by a Jinn — supernatural genies omnipresent in African cultures — merging with its environment. Marcia Juzga’s film is a behind-the-scenes look at the making of Monteiro’s project.

The African Film Festival National Traveling Series has been organized by the African Film Festival, Inc. This series has been made possible by the generous support of The Bradley Foundation, Domenico Paulon Foundation, and the National Endowment for the Arts.

For more information, contact Monique Threatt at (812)855-1650.

VRT Announces Outstanding Notable Videos for Adults

The American Library Association (ALA) Video Round Table Notable Videos for Adults Committee has compiled its 2015 list of Notable Videos for Adults, a list of 15 outstanding films released on video within the past two years and suitable for all libraries serving adults. Its purpose is to call attention to recent video releases that make a significant contribution to the world of video. The list is compiled for use by librarians and the general adult populace.

The Notable Videos for Adults committee selected 15 outstanding titles from among 64 nominees for this year’s list of Notable Videos for Adults.

•   The Act of Killing (2013) 122 minutes.  Drafthouse Films.  Available from http://drafthousefilms.com and various distributors.Death squad leaders of the 1965 Indonesian massacres reflect on their crimes and reenact them in the style of Hollywood movies. ~ Media Browsing collection

 •   After Tiller (2013) 88 minutes.  Oscilloscope Laboratories.  Available from http://www.oscilloscope.net/films/ and various distributors. The few remaining doctors performing late term abortions in the United States discuss their chosen profession and look ahead to an uncertain future for reproductive rights. ~ Media Browsing collection

•   Anita: Speaking Truth to Power (2013) 77 minutes.  First Run Features.  Available from https://firstrunfeatures.com and various distributors.  Anita Hill finds her voice as an advocate for women’s rights and gender issues after her testimony at the 1991 confirmation hearings of Supreme Court nominee Clarence Thomas. ~ Media T&R collection, IUPUI

•   Dirty Wars (2013) 86 minutes.  IFC Films.  Available from various distributors. Investigative reporter Jeremy Scahill traces the rise of the Joint Special Operations Command, a U.S. covert fighting force, which conducts civilian torture and killings across the globe. ~ Media Browsing collection

 •   Five Broken Cameras (2011) 90 minutes.  Kino Lorber.  Available from http://www.kinolorber.com and various distributors. Palestinian filmmaker Emad Burnat documents the damage done to each of his five video cameras during nonviolent protests against Israeli settlements. ~ Media Browsing collection

•   Gideon’s Army (2013) 95 minutes.  Third World Newsreel.  Available from http://twn.org  Three dedicated Southern public defenders with staggering caseloads represent indigent clients within a problematic legal system. ~ Media T&R collection

 •   Harvest of Empire (2012) 90 minutes.  Third World Newsreel.  Available from http://twn.org A comprehensive geopolitical picture of the economic and historical realities that have guided waves of Latin American migration to the U.S. ~ Media Browsing collection

 •   Inequality for All (2013) 90 minutes.  Anchor Bay Entertainment.  Available from various distributors. Former U.S. Department of Labor Secretary Robert Reich explains the growing chasm between rich and poor and its consequences for American society. ~ Media T&R collection

 •   Internet’s Own Boy (2014) 105 minutes.  Ro*co Films Educational.  Available from http://www.rocoeducational.com and various distributors. This portrait of Aaron Schwartz, programmer and Internet activist, highlights the many contributions and ideas he left behind after his suicide in 2013. ~ Media Browsing collection

 •   Let the Fire Burn (2013) 95 minutes.  Zeitgeist Films.  Available from https://zeitgeistfilms.com and various distributors. An account of the events leading up to the explosive confrontation which decimated the Philadelphia MOVE community, told exclusively through archival news footage. ~ Media Browsing collection

 •   Los Angeles Plays Itself (2014) 169 minutes.  Cinema Guild.  Available from http://cinemaguild.com and various distributors. Los Angeles’ imprint upon the American imagination is examined in this video essay of the city as character and subject in motion pictures.  ~ on order

 •   Mea Maxima Culpa: Silence in the House of God (2012) 107 minutes.  Docurama.  Available from various distributors. The serial sexual abuse of hundreds of deaf students by a Milwaukee priest exposes patterns of secrecy and denial within the Catholic church hierarchy. ~ Media Browsing collection

 •   Particle Fever (2012) 99 minutes.  Ro*co Films Educational.  Available from http://www.rocoeducational.com An international team of physicists work to complete the Large Hadron Collider to prove the existence of the Higgs boson particle. ~ Media Browsing collection

 •   Through a Lens Darkly: Black Photographers and the Emergence of a People (2013) 92 minutes.  First Run Features.  Available from https://firstrunfeatures.com and various distributors. Expands the history of photographic arts by exploring African American personal identity and representation through family portraits and albums. ~ Media Browsing collection, IUSB

 •   Who is Dayani Cristal? (2013) 85 minutes.  Kino Lorber.  Available from http://www.kinolorber.com and various distributors. Mexican actor and activist Gael Garcia Bernal traces the tragic journey of an illegal immigrant from his Central American village to the Arizona desert. ~ Media Browsing collection

 Be sure to check with the Wells Library Media & Reserve Services for availability of titles.

 

Hi Ho, Hi Ho, It’s Off to Market I Go!

NMM_LogoOnlyTo the 36th Annual National Media Market that is! Yes, collection managers and cinephiles, it’s that time again to head to Charleston, South Carolina, November 8 -12, to preview hundreds of educational & documentary films from over 40 distributors, attend daily professional development sessions, and to be awestruck during Market Mania.

“The National Media Market (NMM) was established to provide an opportunity for producers and distributors of educational media to show their new releases in the most convenient, cost-effective way to a large number of buyers in one location. Conventional trade shows and exhibits did not provide the personal interactions and focus desired to accomplish this goal.”

Unlike some conferences which can leave you feeling like a fish out of water, the NMM brings together like-minded individuals who share your same interests. No more having to traipse across large campuses, or visit numerous hotels.  The NMM provides an intimate and personable environment ripe for saying hello to old friends, meeting new colleagues, and developing one-on-one professional relationships between buyer and vendor.  Vendors are extremely friendly, helpful, and reputable.  Vendors will work within your budget to provide access to the latest quality independent, and studio-produced  films, and filmmakers.

There are so few opportunities for public and academic media librarians to meet-and-greet, and to discuss media-related hot topics.  However, you can count on the NMM to provide a unique environment in which all topics are media-centric to include the latest technological advances applicable to media librarianship. As a person who has attended the NMM for the past 14 years, I highly recommend that you consider attending the NMM next week. See you there.