Wes Anderson: “Rushmore”

“Rushmore” (1998), Movie Poster

In my last post about Wes Anderson’s debut short “Bottle Rocket” I introduced the themes of simplicity and nostalgia and talked about the literary quality of Anderson’s screen writing. This time around I’ll be moving into his second feature film “Rushmore” and attempting to explore these same themes and how they undergo transformation with Anderson tackling a bigger cast of characters focusing on a very different but similarly self-involved protagonist. Continue reading “Wes Anderson: “Rushmore””