Using Podcasts and Videos for Scholarly Communication

In recent years, many libraries have started to promote their resources and engage with patrons, the local community, and the larger world through social media. This is perhaps most obvious on Twitter–our own IU Libraries has a strong presence at @iulibraries and @hermanbwells. Still, there are other platforms, including Instagram and Snapchat, that are key for engaging  younger library patrons. Both the Herman B Wells account and the Lilly Library account have worked hard to make information about the library accessible and relevant via these platforms.

Podcasts are becoming yet another new and exciting avenue for informing researchers, students, and other library patrons of library services and engaging them with the complexities of 21st century library work. These kinds of podcasts—either hosted by or focused on librarians/libraries—are becoming increasingly popular. Some of my favorites include the Public Library Association’s podcast, the librarian-run All Booked Up and The Librarian is In and  the American Library Association’s Dewey Decibel Podcast. Last fall, the Scholarly Communication Department experimented with podcasting and capturing audio testimony through a series of interviews. The goal of podcasting was to make the concept of open access more approachable and understandable to all patrons. The podcasts were also an opportunity to zoom in on specific services the department offers and better understand how those services impact the IU community at large.

The department decided to position these podcasts around the theme of Open Access and Open Education, which are valuable commitments to us (and libraries as a whole!). In that spirit, we narrowed the interviewees down to three people: Willa Liburd Tavernier, the Open Scholarship Resident and Visiting Assistant Librarian at IU Bloomington; Michael Morrone, Senior Lecturer at the Kelley School of Business and editor of IU Libraries Open Access Journal of the Scholarship of Teaching and Learning; and Brant Ellsworth, Assistant Professor of Humanities at Central Penn College and editor of IU Open Access Journal Children’s Folklore Review.

Working with the IU Faculty Media Production Space, we interviewed each person, recording both video and audio. Capturing video allowed us to take important clips and put them on Instagram and YouTube. Samuel Underwood in Collaboration Technology and Classroom Support was integral in helping us edit and these clips, which cover everything from the diversity and accessibility of the open access movement to recognizing that students lose access to scholarly research:

Anyone interested in starting an OA journal or learning more about IU Libraries Journal Publishing Program will also be interested in:

Finally, full audio clips are available for anyone who would like to listen. These clips offer listeners more information about the importance of open access and highlight how journals can make the leap to OA :

The Scholarly Communication Department is excited about reaching researchers and students in new ways. Questions? E-mail

Ownership & Openness in Scholarly Publishing Panel Recap

On February 20, 2019, the IU Libraries Scholarly Communications department hosted a panel, “Ownership & Openness in Scholarly Publishing: A Panel Discussion on Reforming Academic Journals,”  that brought together IU faculty, staff, graduate students, and other professionals from various aspects of scholarly studies and publishing. The panelists included Cassidy Sugimoto, Gabriele Guidi, Vincent Larivière, and Bernie Frischer. The panel’s goal was to discuss the process of “flipping” journals–the process of converting subscription-based journals to open access journals, the experiences of two different  journals in their transition to open access, and the implications of the open access movement on research.

flier for ownership and openness panel

Cassidy Sugimoto is an IU School of Informatics, Computing, and Engineering (SICE) professor, and is one of the former editors of the Elsevier-owned Journal of Informetrics. She is one of the individuals who played an instrumental role in flipping the journal that is now known as Quantitative Science Studies. She is also the president of the International Society for Scientometrics and Informetrics (ISSI). Vincent Larivière is an associate ILS professor at the School of Library Science at the University of Montreal. He was also on the editorial board of the Journal of Informetrics and played a significant role in making QSS open access.

The Journal of Informetrics saw its entire editorial board resign earlier this year– after an extensive but unproductive process to resolve their differences with Elsevier– in order to create a new journal that is more in line with open access principles and practices. The new journal, Quantitative Science Studies, has been accepted and is supported by The International Society for Scientometrics and Informetrics. Sugimoto, Larivière, and their colleagues hope that moves such as theirs, which are happening increasingly as journals work toward being open access, will spur other journal editors and staff to work to make their own journals part of this movement.  As of January 2019, QSS is accepting submissions.

Gabriele Guidi, an engineering professor from the Politecnico di Milano, and Bernie Frischer, an IU SICE informatics professor, are co-founders of the open-access journal Studies in Digital Heritage (SDH), previously known as the Digital Applications in Archaeology & Cultural Heritage under Elsevier. After attempting to collaborate with Elsevier to remedy concerns about their high APC for open access, their unwillingness to help the journal embed 3D models for illustration and interactivity, and their discontent with the slow growth of the journal, Guidi and Frischer chose to cut ties. In October of 2016, they parted ways with Elsevier and have since been taking the necessary steps to make their journal open access. Since publishing with IU Libraries, Studies in Digital Heritage has published 50 articles in 2 years, culminating in 2 issues per year. The journal has been able to not charge an APC or a subscription fee to any of its users.

Guidi also cited open access efforts as helping to combat issues of oligopoly and indexing in scientific publishing. Reed-Elsevier, Springer, Wiley-Blackwell, Taylor and Francis, and SAGE currently dominate the publishing market. This leads to exorbitant costs, anywhere from $2,000-$4,000 (or more) for authors to publish in a high-impact journal. In contrast, collaborating with a university library to publish an open access journal can provide a more sustainable model. For example the institution invests so that authors pay a smaller fee, which can be as low as $250. Lower costs and increased freedom in publishing practices are among the factors that are drawing editors to the open access movement.

This panel brought together scholars from a variety of disciplines and approaches to advancing access and research. The question and answer period was lively, with audience members asking questions ranging from how open access journals will impact student research to what the success of open access journals and their funding looks like long-term. The panelists’ responses to trends in open access and scholarly publishing illustrated that the push toward open access is crucial for the success and sustainability of academic publications, as well as determining what resources remain available to future scholars. Although there are obvious hurdles in the process of making a journal open access, based on the discussions that took place over the course of this panel it would seem that a growing number of editors are willing to make the change in order to attempt to disrupt the often frustrating current trends in academic publishing.

Find the presentation slides in our institutional repository:

Stream the recording here:

Questions about flipping a journal with IU Libraries? Contact

Students Creating Open Educational Resources with Pressbooks: Redesigning L700

It’s Open Education Week again and we’re celebrating Open Educational Resources! In 2018, we hosted a “Driving Student Success through Affordable Course Material” Symposium. The symposium featured three guest speakers from University of Wisconsin-Madison and centered on a UITS-supported book publishing tool, Pressbooks. Lots has happened with OER at IU since then: UITS rolled out Pressbooks for everyone with IU credentials (now anyone can log in and create/ publish OER with Pressbooks) and the Libraries started to partner with CITL and UITS to create tailored OER outreach for instructors in STEM. We’re also hosting a Brown Bag on OER on Wednesday, March 6–join us in person or on Zoom!

One of the most important outcomes of the symposium, though, was a course redesign for an online, doctoral-level course in the School of Education, L700: Seminar in Literacy, Culture, and Language Education (LCLE). The instructor of the course, Beth Lewis Samuelson, attended the symposium and became interested in Pressbooks as a result. Pressbooks is a great tool for authoring course material content: you can import/ export in multiple formats, it’s easy to use and looks like WordPress, and has some added features like built-in plugins for student annotation and engagement with texts.

Beth had already been talking to Julie Marie Frye, Head of the Education Library, about how to redesign the course so that students’ important work could be shared publicly. A core assignment for the course is a group project that asks students to present an overview of a research methodology or theory. The assignment is intentionally designed to give students an opportunity to do a deep dive into a methodology or theory that might be of interest for their dissertation work. The course is required for doctoral students in LCLE and this assignment recognizes that it is impossible to provide a comprehensive overview of every methodology; instead, students explore what is of interest to them with the support of the instructor, colleagues, and librarians.

Our hope was that compiling students’ guides  into an OER would both a) make the assignment more meaningful and impactful and b) help other researchers interested in a comprehensive overview of a particular methodology find more information. Students creating OER is often called open pedagogy. Open pedagogy is pedagogy that:

  • moves past the “disposable assignment” (where students turn in an assignment, it is graded, and the work ends there) toward assignments that are immediately useful to wider publics
  • centers public and visible teaching and learning, expanding the boundaries of the classroom and giving students authentic experiences
  • recognizes students as expert, pushing back on narrow definitions of expertise and working from the understanding that student work is worth sharing

As Beth, Julie Marie, and I discussed student-created OER in more detail, we realized that students may need additional support in understanding openness (including Creative Commons) and mastering information literacy concepts related to evaluation, authoring, and entering the information ecosystem as not only readers, but also creators and authors. We also recognized that as doctoral students, it was an important exercise for students to read, understand, and sign a copyright agreement (and practice consulting with a co-author to agree on such an agreement) in order to contribute. Thus, we went with an “opt in” model, which is unique from other open pedagogy projects. Other projects will often be designed around an open class project with students opting out or completing alternative assignments if they don’t want to participate. There are pros and cons to each model but we intentionally chose this design in order to make publication processes and authorship more transparent.

We applied for and were awarded two grants to complete the redesign: a School of Education Teaching with Technology grant and an IU Libraries Information Literacy Course Grant [read our proposal]. These grants gave us funding and a support structure that made the redesign possible. For example, as a result of the grant we were able to hire a Pressbooks editor that kept track of author agreements, set up the Pressbook, collected contributions, and performed basic editing.

The grants also helped us expand the scope of the redesign in order to better support students and enhance their understanding of information literacy issues. As a result of the Teaching with Technology grant, we were able to hire an artist and videographer to create “chalk talks” that present concepts visually and inspire in-depth conversation about complex topics like authority and confidence as a new scholar. Chalk talks are educational videos where an instructor explains a concept verbally while a sketch presents information visually. One goal of shifting to a chalk talk model is that students see information presented in a variety of ways. For example, chalk talks often challenge instructors to illustrate concepts, often requiring that they use metaphors or analogies that help students make connections. The chalk talks also made a “flipped librarian” model possible, where the concepts covered in the talks didn’t also have to be covered in consultations.

We have several colleagues to thank for helping us draft this content. School of Education Professors Mitzi Lewison and Karen Wohlwend generously agreed to meet with us to discuss their research and publication processes. These interviews helped us craft and refine many of the scripts for the chalks talks. Additionally, as a result of the information literacy course grant, we were able to consult with Undergraduate Education Librarian Meggan Press on the chalk talk content, greatly improving how we presented concepts to students.

Four chalk talks were created on the following topics:

  • Credibility of Scholars: how scholars establish credibility
  • Acknowledgement of Authorities: best practices for acknowledging others’ work and building upon scholars before you
  • Challenging Authorities: the challenges of entering the scholarly conversation or information ecosystem as an author, particularly when pushing back on established work
  • Your Intellectual Property: how authors publish their work, including an overview of Creative Commons and copyright

a scene from the chalk talk on intellectual property depicts options for author rights: transfer, granting a license, or retaining

A scene from the chalk talk on intellectual property

All of these chalk talks will be openly licensed so that others can use them! 

Since L700 was online in Fall 2018, students were asked to answer a few questions about each chalk talk in order to engage with the content. For example, for the video on intellectual property, we asked students:

  • Have you ever had to sign a copyright agreement? If so, was it a transfer or did you grant a license to the publisher?
  • What excites you about sharing your work formally in the information ecosystem? What’s still intimidating or unclear about sharing your work?
  • Explore the Creative Commons License generator. Which license(s) align with how you want your work to be used by others?
  • What questions do you still have about copyright and your intellectual property?

Overall, we felt the redesign was successful. Discussions within Canvas about the chalk talks were thorough and engaging. Students had follow up questions about open access dissertations, which resulted in recording a short presentation on dissertations specifically. Each of the  Fall 2018 students agreed to contribute to the Pressbook via the contract we drafted in consultation with Copyright Librarian Naz Pantaloni. We are continuing to refine the Pressbook itself but hope to publish it (under a Creative Commons license!) soon. Additionally, L700 students from Spring 2018 and Spring 2019 are also contributing to the Pressbook. Thus, the book will span multiple course sections.

Still, there is work to be done. We continue to be involved in L700 and in mid-February, Julie Marie and I visited the course to facilitate a card sort activity, which asked students to reflect on how they evaluate and prioritize sources for their research. As an example, one of the criteria we discussed with students was cost, which prompted more in-depth conversations about open access than we had with previous iterations of the course. 

Table of contents of the pressbook, including chapters and sections

Short Guides in Education Research Methodologies Pressbook Table of Contents [on left] and sections of one of the research guides on Conversation Analysis [center]

We can’t wait to assess student learning by analyzing the Pressbook, discussion postings, and engagement with the chalk talks. This will help us better understand the redesign and how we could improve the curriculum and our pedagogy. Before our formal assessment we can still say that we learned some lessons along the way! Here are some tips for instructors considering a similar redesign:

  • Try to integrate conversations about open access throughout the course, not only when discussing OER. This should be a core component of conversations about finding literature and accessing resources. (This is something the Scholarly Communication department can help with!)
  • Try to have curriculum content created before the semester starts! We were creating content while the course was happening, which was a challenging balancing act.
  • Think through how design needs to change or adjust when teaching in person vs. online. Every redesign should consider this context and how presentation of content changes based on course makeup and setting.
  • Flesh out ways that students might explore different forms of critical annotation. In this assignment, students create a sort of annotated bibliography but using or a similar tool might lend itself to a different kind of engagement.

Are you interested in having your students create a textbook or other OER? Are you interested in better integrating digital literacy topics like curation, evaluation, and sharing intellectual property into your course? Wondering what Pressbooks is and how easy it would be for students to use?

Not sure where to start? We’re happy to help! E-mail to set up a consultation today.